Eliot in Perspective: A SymposiumGraham Martin |
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Page 17
... course , for some mechanical assistance for which one is anxious to give all due credit . More directly , that is ... course . I hope also that it may prove the more interesting course . The stimulus which I have taken from the different ...
... course , for some mechanical assistance for which one is anxious to give all due credit . More directly , that is ... course . I hope also that it may prove the more interesting course . The stimulus which I have taken from the different ...
Page 149
... course these potentialities are imperfectly realised . Again and again he seems to be on the verge of striking out an entirely new line , of creating , even , the modern theatre . Then he abandons the promising experiment , conceals the ...
... course these potentialities are imperfectly realised . Again and again he seems to be on the verge of striking out an entirely new line , of creating , even , the modern theatre . Then he abandons the promising experiment , conceals the ...
Page 192
... course , recognisable in Mr Appollinax . 12. Alan Wood , Bertrand Russell ; the passionate sceptic ( 1957 ) p . 94 . 13. Josiah Royce's Seminar 1913–14 , as recorded in the Notebooks of Harry T. Costello , ed . Grover Smith ( New ...
... course , recognisable in Mr Appollinax . 12. Alan Wood , Bertrand Russell ; the passionate sceptic ( 1957 ) p . 94 . 13. Josiah Royce's Seminar 1913–14 , as recorded in the Notebooks of Harry T. Costello , ed . Grover Smith ( New ...
Contents
F W BATESON The Poetry of Learning | 31 |
FRANCIS SCARFE Eliot and Nineteenthcentury | 45 |
a distinction | 62 |
Copyright | |
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achievement already American appear argument Arnold become beginning belief Bradley called Christian Church Communism complete concept conscious context continuity course criticism culture discussion early effect emotion English essay example existence experience expression fact feeling final Four Quartets gives human idea important individual influence interest kind Laforgue language later less lines literary literature living look matter Maurras meaning mind move movement nature never object offered once original particular passage perhaps philosophy play poem poet poetic poetry point of view political position possible present problem question reader reality reference relation religion religious seems seen sense significant social society spiritual structure suggests T. S. Eliot taken theory things thought Tiresias tradition turn Waste Land whole writing