Eliot in Perspective: A SymposiumGraham Martin |
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Page 257
... Communism and the Alternative neatly summarizes his reason for finding it formidable : " The strength of Communism finally rests on the fact that the Communist is a man of principle ' ( XIII 276 ) . In an interesting passage he even ...
... Communism and the Alternative neatly summarizes his reason for finding it formidable : " The strength of Communism finally rests on the fact that the Communist is a man of principle ' ( XIII 276 ) . In an interesting passage he even ...
Page 259
... Communism . ( XI 71 ) The spectacle is that of a writer so entangled in his own prejudices and predilections as to be intelligible only to those who share them . Even when he attempts incisiveness the result must strike an impartial ...
... Communism . ( XI 71 ) The spectacle is that of a writer so entangled in his own prejudices and predilections as to be intelligible only to those who share them . Even when he attempts incisiveness the result must strike an impartial ...
Page 263
... Communism , the very ideology which he censured for its inability to encourage or even to understand the activity of ... Communists - or surrealists such as Hugh Sykes Davies and Roger Roughton - and an editor dedicated to the principles ...
... Communism , the very ideology which he censured for its inability to encourage or even to understand the activity of ... Communists - or surrealists such as Hugh Sykes Davies and Roger Roughton - and an editor dedicated to the principles ...
Contents
F W BATESON The Poetry of Learning | 31 |
FRANCIS SCARFE Eliot and Nineteenthcentury | 45 |
a distinction | 62 |
Copyright | |
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achievement already American appear argument Arnold become beginning belief Bradley called Christian Church Communism complete concept conscious context continuity course criticism culture discussion early effect emotion English essay example existence experience expression fact feeling final Four Quartets gives human idea important individual influence interest kind Laforgue language later less lines literary literature living look matter Maurras meaning mind move movement nature never object offered once original particular passage perhaps philosophy play poem poet poetic poetry point of view political position possible present problem question reader reality reference relation religion religious seems seen sense significant social society spiritual structure suggests T. S. Eliot taken theory things thought Tiresias tradition turn Waste Land whole writing