Boston Modern: Figurative Expressionism as Alternative ModernismIn Boston Modern, Judith Bookbinder firmly establishes Boston figurative expressionism as an integral part of American modernism, one that presents an alternative approach to the trajectory of abstract art in the turbulent decades bracketing the Second World War. The works of the movement’s most remarkable artists boldly confront issues of personal and group identity in the modern world, consider the role of the artist as witness to violence, prejudice, and corruption in modern society, and intricately reinterpret the nature of the creative process and its formal and spatial implications. Within Boston’s unique and surprisingly receptive Anglo-Saxon and academic tradition, Karl Zerbe, Hyman Bloom, Jack Levine, David Aronson, Philip Guston, and others, many of whom were Jewish immigrants from eastern Europe or their children, struggled to clarify their identities as outsiders in an insider’s world and as modern artists. Although at first critically and popularly well received throughout the country, Boston figurative expressionists were increasingly marginalized by the development of abstract modernism centered in New York. However, by giving voice to the ethos of a community in flux, the movement continues to inspire artists today. The vibrant dialogue the group established between their individual perspectives and the aesthetic conventions taught at Boston’s academic institutions is here at last given the prominent treatment it deserves. Lavishly illustrated and skillfully presented, Boston Modern definitively challenges widely accepted notions of modernist discourse in American art history. |
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abstract academic American Art Archives of American Arthur Polonsky avant-garde became Bernard Chaet Bloom and Levine Boston Expressionism Boston Museum School Boston Symphony Orchestra Boston University Brecht Busch-Reisinger Museum chap Charles Kuhn classical color Contemporary Art corpse culture David Aronson Denman Ross developed drawing early encaustic Exhibition catalogue experience explained expression expressionist figurative expressionism figurative expressionists Fogg Art Museum Gallery George Grosz Germanic art Germanic Museum Grosz Harvard University Art human Hyman Bloom Ibid identity images Imber immigrant Institute of Contemporary Institute of Modern interview by author Jack Levine Jewish Jews Karl Fortess Karl Zerbe Kokoschka Levine's Lois Tarlow Mass Max Beckmann Modern Art modernist Museum of Modern oil on canvas Oskar Kokoschka painters Philip Guston Pickhardt political Portrait quoted recalled Reed Kay Ross's Sachs scene sculpture social spiritual Street studied Synagogue teacher teaching tension tion tradition University Art Museums vision visual York Zerbe's Zimmerman