Theater, Culture, and Community in Reformation Bern: 1523 - 1555

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BRILL, 2002 - Literary Criticism - 346 pages
This study examines the sociocultural context of ten plays performed during the formative years of the Bernese Reformation. It treats not only three pre-reform carnival plays by Niklaus Manuel, but also six newly edited works by local court secretary Hans von Rute. Individual chapters focus on the plays' polemics, staging, and choruses, as well as on local Zwinglian reform. An appendix contains the plays' fifteen song texts. The vivid staging and choral interludes of Bern's Reformation theater belie the assumption that the city's Zwinglian reform, which eliminated imagery and song from religious worship, rejected images and music in all forms. The confessional diatribe of Rute's later works further illuminates Bern's policies towards Zurich and Geneva, demonstrating that biblical plays were no less political than their carnival predecessors.
 

Contents

Preface and Acknowledgements
ix
Abbreviations
xvii
Performing the Protestant Reformation
1
Bern at the Crossroads of Reform
42
Protestant Carnival A Contradiction in Terms?
79
Theocracy and Theater
135
Protestant Visual Culture and the Stage
201
Music Play and Worship
247
Mediating Change
289
Song Texts
297
Bibliography
307
Index of Persons
333
Index of Places
339
Index of Biblical Citations 347
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About the author (2002)

Glenn Ehrstine, Ph.D. (1995), University of Texas at Austin, is Associate Professor of German at the University of Iowa. He has authored articles on medieval and Reformation literature in Daphnis, Euphorion, The Sixteenth Century Journal, and other publications.