John Barrymore, Shakespearean ActorJohn Barrymore's Richard III and Hamlet, first seen in New York during the 1919-20 and 1922-23 seasons, stand as high-water marks of twentieth-century Shakespearean interpretation. Michael Morrison reconstructs these historic performances through analysis of the production preparation, audience response, reviews, and memoirs. Tracing the Victorian and Edwardian antecedents of Shakespearean performance, this book situates Barrymore's distinctive contribution in light of past and ensuing tradition. As well, it provides a biographical sketch of one of the most revered and tragic actors of the twentieth century. "This young artist, profiting by the lessons of tradition...casts it boldly aside and emerges into the rarefied atmosphere of a new art, greater because it is new, stronger because it is built upon an old foundation." Brooklyn Times, March 9, 1920 |
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Page iv
... Shakespeare , William , 1564-1616 - Stage history 1800-1950 . 3. Shakespeare , William , 1564-1616 - Stage history - United States . 4. Shakespeare , William , 1564-1616 - Stage history - Great Britain . 5. Shakespeare , William , 1564 ...
... Shakespeare , William , 1564-1616 - Stage history 1800-1950 . 3. Shakespeare , William , 1564-1616 - Stage history - United States . 4. Shakespeare , William , 1564-1616 - Stage history - Great Britain . 5. Shakespeare , William , 1564 ...
Page xi
... Shakespeare , some successful , others not , made by Barry- more during the seventeen - year period ( 1925-42 ) he devoted mainly to mo- tion pictures . The Epilogue examines the far - reaching impact of Richard III and Hamlet on ...
... Shakespeare , some successful , others not , made by Barry- more during the seventeen - year period ( 1925-42 ) he devoted mainly to mo- tion pictures . The Epilogue examines the far - reaching impact of Richard III and Hamlet on ...
Page xii
... Shakespeare in the years since Barry- more's portrayals , has yet to produce an actor whose performances merit fa- vorable comparison . Although Barrymore attempted only two Shakespearean roles on stage - far fewer than the number ...
... Shakespeare in the years since Barry- more's portrayals , has yet to produce an actor whose performances merit fa- vorable comparison . Although Barrymore attempted only two Shakespearean roles on stage - far fewer than the number ...
Page xv
... Shakespeare in per- formance . I have tried to acknowledge my debts to these sources in the notes and bibliography . Finally , John Barrymore was assisted in his ascent to Shakespearean dis- tinction by a " Board of Regents ...
... Shakespeare in per- formance . I have tried to acknowledge my debts to these sources in the notes and bibliography . Finally , John Barrymore was assisted in his ascent to Shakespearean dis- tinction by a " Board of Regents ...
Page 3
... Shakespearean debut in Richard III . Many in the audience that night were skeptical of Barrymore's ability to succeed ... Shakespeare on the American stage . Two years later , Barrymore again joined forces with Hopkins and Jones to ...
... Shakespearean debut in Richard III . Many in the audience that night were skeptical of Barrymore's ability to succeed ... Shakespeare on the American stage . Two years later , Barrymore again joined forces with Hopkins and Jones to ...
Contents
The Education of an Actor 18821919 | 32 |
The Productions | 67 |
Richard III 1920 | 69 |
Hamlet 19221924 | 122 |
The London Hamlet 1925 | 242 |
Aftermath | 261 |
Shakespeare in Hollywood 19251942 | 263 |
Epilogue | 299 |
Appendixes | 307 |
The Casts | 309 |
The Texts | 323 |
Notes | 331 |
385 | |
393 | |
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Common terms and phrases
17 November acting actor Adams Alexander Woollcott American appeared April Arthur Hopkins artistic audience Barry Barrymore's Barrymore's performance Blanche Yurka Broadway cast chair character Clown comedy costumes critics debut decade December drama Edwin Booth exit Fay Compton February film Forbes-Robertson Fowler Gene Fowler Ghost Guildenstern Hamlet Hampden Henry Hollywood Hopkins's Horatio house curtain Irving January John Barrymore Jones's King Laertes left center letter to Michael lights Lincoln Center lines London lord Macbeth mainstage mance Marcellus March Margaret Carrington Michael Strange noted Ophelia Osric platform play Player Polonius production promptbook Queen radio rehearsals repertory replies revival Richard Richard III right center Robert Edmond Jones role Rosencrantz scene second season Shakespeare Shakespearean Sheldon soliloquy Soon afterward Sothern and Marlowe speak speech steps Studybook Sweet Prince Taylor tells Theatre Collection theatrical throne tion tour tradition turns UCB/SC upstage voice weeks William Woollcott wrote York