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THE RISE OF THE THEATRES MARLOWIS DRAMATIC
SHAKSPERE AT STRATFORD
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action affection already appears become blood brother called character claim classical close comedy complete court critics crown death drama dramatist Duke earlier early elements Elizabethan English entirely equally evidence eyes fact fall Falstaff father favour feeling figure followed force fortune further given gives Hamlet hand head heart Henry hero historical honour human incidents interest Italy John king later less light lines lips live Lord master merely moral nature never once opening original passion period Plautus play plot poet Prince probably proves relation Richard Romeo scene seeks seems seen sense Shakspere Shakspere's shown shows similar soul speaks speech spirit stage story suggested takes theme things thought touch tragedy true turn verse whole wife woman written young youth