Dol. Cesar, thy thoughts Touch their effects in this: Thyself art coming Within. A way there, way for Cesar! Enter CESAR, and Attendants. Dol. O Sir, you are too sure an augurer; That you did fear, is done. Ces. Bravest at the last : She levell'd at our purposes, and, being royal, Dol. Who was last with them? As she would catch another Antony Dol. Here, on her breast, 1 Guard. This is an aspic's trail: and these Have slime upon them, such as the aspic leaves Ces. Most probable, That so she died; for her physician tells me, She had pursu'd conclusions + infinite Of easy ways to die. Take up her bed; And bear her women from the monument: 1 Guard. A simple countryman, that brought She shall be buried by her Antony: This was his basket. her figs: No grave upon the earth shall clip in it Ces. Poison'd then. 1 Guard. O Cesar, spake: I found her trimming up the diadem A pair so famous. High events as these This Charmian lived but now; she stood, and Brought thein to be lamented. Our army shall, On her dead mistress; tremblingly she stood, And on the sudden dropp'd. Ces. O noble weakness! If they had swallow'd poison, 'twould appear By external swelling; but she looks like sleep, In solemu show, attend the funeral; [Excunt TITUS ANDRONICUS. LITERARY AND HISTORICAL NOTICE. AS it is intended, in the present collection of Shakspeare's Dramatic Works, to present in regular succession all such as have the scenery, characters, or manners, drawn from the same country, the sanguinary and disgusting Tragedy of Titus Andronicus is placed in immediate sequence to those that are essentially of Roman origin, The events, however, are not of historical occurrence, but were probably borrowed from an old ballad entered on the books of the Stationers' Company in the year 1593, about which period it may also have been written. Its identity, however, as one of Shakspeare's productions, rests on a very doubtful foundation. Dr. Percy supposes it only to have been corrected and re-touched by aim; but, says Dr. Johnson, "I do not find his touches very discernible." It is devoid of any striking sentiment--- it has none of the philosophic stateliness which generally distinguishes his plays---the anachronisms are gross---the language throughout is as tumid and laboured as the plot is horrid and unnatural;---and the only approach to energy discernible in the play, occurs in the scene between Aaron, the nurse, and Demetrius. Indeed, there is internal evidence enough (in the versification, the character of the composition, the total difference of conduct, language, and sentiment, and also in its resemblance to several dramas of much more ancient date) to prove, with irresistible force, that it has been erroneously ascribed to Shakspeare. Dr. Johnson says, "All the editors and critics agree with Mr. Theobald in supposing this play spurious. I see no reason for differing from them; for the colour of the style is wholly different from that of the other play, and there is an attempt at regular versification and artificial closes, not always inelegant, yet seldom pleasing. The barbarity of the spectacle, and the general massacre which are here exhibited, can scarcely be conceived tolerable to any audience; yet we are told by Jonson, that they were not only borne but applauded. That Shakspeare wrote any part, though Theobald declares it incontestible, I see no reason for believing." DRAMATIS PERSONE. SATURNINUS, Son to the late Emperor of Rome, A.MILIUS, a noble Romax. and afterwards declared Emperor BASSIANUS, Brother to Saturninus: in love TITUS ANDRONICUS, a noble Roman, General and Brother to Titus. Sons to Tamora. ALARBUS, Romans. Goths and Romans. TAMORA, Queen of the Goths. LAVINIA, Daughter to Titus Andronicus. Kinsmen of Titus, Senators, Tribunes, Offi cers, Soldiers, and Attendants. SCENE: Rome, and the Country near it. ACT I. SCENE I.-Rome - Before the Capitol. The tomb of the ANDRONICI appearing; the Sat. Noble patricians, patrons of my right, A special party, have, by their common voice, Nor wrong mine age with this indignity. For many good and great deserts to Rome; of my right, If ever Bassianus, Cesar's son, Were gracious in the eyes of royal Rome, My title to the succession. Lives not this day within the city walls: He by the senate is accited home, From weary wars against the barbarous Gotns, • Summoned. That, with his sons, a terror to our foes, And now, at last, laden with honour's spoils, Sat. How fair the tribune speaks to calm my Bas. Marcus Andronicus, so I do affy In thy uprightness and integrity, And so I love and honour thee and thine, Thy nobler brother Titus, and his sons, Victorious Titus, rue the tears I shed, And her, to whom my thoughts are humbled all, Oh! think my son to be as dear to me. Gracious Lavinia, Rome's rich ornament, [Exeunt the Followers of BASSIANUS. Sat. Friends, that have been thus forward in my right, I thank you all, and here dismiss you all; [Exeunt the Followers of SATURNINUS. Bas. Tribunes 1 and me, a poor competitor. Enter a CAPTAIN, and others. Sufficeth not, that we are brought to Rome Tit. Patient yourself, madam, and pardon me. held Alive and dead; and, for their brethren slain, Cap. Romans, make way-The good And o- And with your swords, upon a pile of wood, nicus, Flourish of Trumpets, &c. Enter MUTIUS and and Lucius. After them, TITUS ANDRONI- Tit. Hail, Rome, victorious in thy mourning Lo, as the bark that hath discharged her fraught, t With burial amongst their ancestors: Let's hew his limbs, till they be clean consum'd MUTIUS, with ALAP.BUS. Tam. O cruel, irreligious piety! To quit the bloody wrongs upon her foes. Our Roman rites: Alarbus' limbs are lopp'd Tit. Let it be so, and let Andronicus [Trumpets sounded, and the Coffins laid Here Goths have given me leave to sheath my Secure from worldly chances and mishaps 1 sword. In peace and honour rest you here, my sons. Here lurks no treason, here no envy swells, storms. • It was supposed that the ghosts of unburied people appeared to solicit the rights of funeral. M |