The Body Emblazoned: Dissection and the Human Body in Renaissance CultureAn outstanding piece of scholarship and a fascinating read, The Body Emblazoned is a compelling study of the culture of dissection the English Renaissance, which informed intellectual enquiry in Europe for nearly two hundred years. In this outstanding work, Jonathan Sawday explores the dark, morbid eroticism of the Renaissance anatomy theatre, and relates it to not only the great monuments of Renaissance art, but to the very foundation of the modern idea of knowledge. Though the dazzling displays of the exterior of the body in Renaissance literature and art have long been a subject of enquiry, The Body Emblazoned considers the interior of the body, and what it meant to men and women in early modern culture. A richly interdisciplinary work, The Body Emblazoned re-assesses modern understanding of the literature and culture of the Renaissance and its conceptualization of the body within the domains of the medical and moral, the cultural and political. |
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Contents
FROM COLONIZATION | 16 |
THE BODY IN THE THEATRE OF DESIRE | 39 |
between pages 84 and 85 | 45 |
INSIDE | 54 |
Titlepage from Theodor Kerckring Spicilegium Anatomicum 1670 | 22 |
Flowering foetus from Spigelius De Formato Foeto 1627 | 28 |
SACRED ANATOMY AND THE ORDER OF REPRESENTATION | 85 |
THE UNCANNY BODY | 141 |
DISSECTING PEOPLE | 183 |
ROYAL SCIENCE | 230 |
Other editions - View all
The Body Emblazoned: Dissection and the Human Body in Renaissance Culture Jonathan Sawday Limited preview - 2013 |
The Body Emblazoned: Dissection and the Human Body in Renaissance Culture Jonathan Sawday Limited preview - 1996 |
The Body Emblazoned: Dissection and the Human Body in Renaissance Culture Jonathan Sawday Limited preview - 2013 |
Common terms and phrases
allowed anatomist Anatomy of Melancholy anatomy theatre appeared attempt authority Barber-Surgeons become blazon body's Christ complex construction corpse course court creation criminal culture dead death demonstration Descartes described desire discourse display dissection divine division Donne early early-modern England English erotic example execution existence expressed eyes familiar female body figure gaze hand human body illustrations imagined important interior John knowledge language later living London look male meaning mechanical metaphors mind nature object observed offered once opened organs painting period philosophical Physicians play poem poetic poetry poets political possible practice produced published punishment Queene reader reason Rembrandt Renaissance representation represented scientific seems seen sense seventeenth century sexual soul space Spenser's structure suggested surrounding symbolic taking tradition understanding understood universe Vesalian Vesalius whilst whole woman women