Teaching Literature as Reflective PracticeTeaching Literature as Reflective Practice speaks to all those teachers who teach the "gen ed" literature course that their students must take to complete a general education or core curriculum requirement. These students--the 95 percent who are not English majors--are the students we hope will become active and reflective members of a reading public. Given this goal, Kathleen Blake Yancey outlines a course located in reflective practice and connected to readings in the world. The course invites students to theorize--about their own reading practices, about how literature is made, and about texts and their relationships to culture more generally. Such a course also encourages students to think about what places and occasions in the world are poetic, about the role of not-understanding in coming to understand literature, and about technological forms of literacy, such as multimedia pop-ups that link associatively to multiple contexts. In addition to cogent reflections on the realities of lived, delivered, and experienced curricula, Yancey defines, illustrates, and analyzes two kinds of literature portfolio--print and electronic--and shows how each fosters a particular kind of learning and leads to specific assessment practices. |
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Page 3
... play of working with it , and then take this experience with them and play with other texts and images , getting pleasure not simply from the experience of reading and viewing but from the thinking and talking that go with school ( 134 ...
... play of working with it , and then take this experience with them and play with other texts and images , getting pleasure not simply from the experience of reading and viewing but from the thinking and talking that go with school ( 134 ...
Page 29
... play and make total sense of the overall plan . Each line in a poem leads to the next the same way that each football play sets up the next . With the students ' permission , I bring such connections into class , some- times as a set of ...
... play and make total sense of the overall plan . Each line in a poem leads to the next the same way that each football play sets up the next . With the students ' permission , I bring such connections into class , some- times as a set of ...
Page 41
... play , etc. In part , of course , such an attitude stems from a confusion located in genre , as suggested here : students read a work of literature as though it were a lab manual or a set of directions or a textbook , a text requiring ...
... play , etc. In part , of course , such an attitude stems from a confusion located in genre , as suggested here : students read a work of literature as though it were a lab manual or a set of directions or a textbook , a text requiring ...
Contents
The Lived Curriculum 20 285 | 16 |
The Delivered Curriculum | 41 |
Closing the Circle | 58 |
Copyright | |
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activity Annabel Lee ask students assignment begin Billy Collins classroom connections context create culture curricula delivered curriculum dents develop digital portfolios Donald Schön E.E. Cummings Edith Wharton education literature engage English erature essays experience experienced curriculum explain Figure genre Guggenheim Museum Bilbao help students high school House of Mirth images intellectual interpretation invisibility James Paul Gee Jerome McGann Kathleen kind Last accessed learning litera literary literature class literature course lived curriculum McGann means mother-in-law movie multiple stories not-understanding novel Octopus palimpsest palimtext pedagogy performance play poetry Pop-Up Video pop-ups practice print portfolio questions READ THE POEM reader of literature reader's block reader's theater reading process RealPlayer reflection Robert Scholes role says Scholes seems specific talk teachers Teaching Literature tell term theme thought tion ture understand University visual Wallace Stevens words writing Yancey