From Mouse to Mermaid: The Politics of Film, Gender, and Culture

Front Cover
Elizabeth Bell, Lynda Haas, Laura Sells
Indiana University Press, 1995 - Performing Arts - 264 pages

From Mouse to Mermaid, an interdisciplinary collection of original essays, is the first comprehensive, critical treatment of Disney cinema. Addressing children's classics as well as the Disney affiliates' more recent attempts to capture adult audiences, the contributors respond to the Disney film legacy from feminist, marxist, poststructuralist, and cultural studies perspectives. The volume contemplates Disney's duality as an American icon and as an industry of cultural production, created in and through fifty years of filmmaking. The contributors treat a range of topics at issue in contemporary cultural studies: the performance of gender, race, and class; the engendered images of science, nature, technology, family, and business. The compilation of voices in From Mouse to Mermaid creates a persuasive cultural critique of Disney's ideology.

The contributors are Bryan Attebery, Elizabeth Bell, Claudia Card, Chris Cuomo, Ramona Fernandez, Henry A. Giroux, Robert Haas, Lynda Haas, Susan Jeffords, N. Soyini Madison, Susan Miller, Patrick Murphy, David Payne, Greg Rode, Laura Sells, and Jack Zipes.

 

Contents

Memory and Pedagogy
43
Three
52
Pinocchio
62
Four
70
The Movie You See The Movie You Dont
86
Somatexts at the Disney Shop
107
The Whole Wide World Was Scrubbed Clean
125
Eight
137
The Curse of Masculinity
161
ErasuresDisney Film as Identity Politics
173
Lynda Haas
193
Thirteen
212
Fourteen
224
Fifteen
236
Contributors
255
Copyright

Nine
148

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