Shakespeare's Imagery: And what it Tells Us |
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Page 33
... number of game images that he also was well acquainted with bowls ( see pp . 110-11 ) . Shakespeare's next largest number of images in this little section is drawn from ' classes ' . In this large group from types of men and women , we ...
... number of game images that he also was well acquainted with bowls ( see pp . 110-11 ) . Shakespeare's next largest number of images in this little section is drawn from ' classes ' . In this large group from types of men and women , we ...
Page 275
... large number does not in Love's Labour's Lost denote , as it would in most other plays , a high percentage of sheer poetry , for the images chiefly go to form the tissue of verbal wit , puns and double meaning , of which the fabric is ...
... large number does not in Love's Labour's Lost denote , as it would in most other plays , a high percentage of sheer poetry , for the images chiefly go to form the tissue of verbal wit , puns and double meaning , of which the fabric is ...
Page 364
... number ( animals generally come second in this respect , but are displaced in Romeo and Juliet by the large number of personifications , many of them of ' light and darkness ' ) . In Hamlet ' sickness and medicine ' furnish the large ...
... number ( animals generally come second in this respect , but are displaced in Romeo and Juliet by the large number of personifications , many of them of ' light and darkness ' ) . In Hamlet ' sickness and medicine ' furnish the large ...
Contents
The Aim and Method explained | 3 |
Shakespeares Imagery compared with | 12 |
Imagery of Shakespeare and other | 30 |
Copyright | |
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Common terms and phrases
action All's animals Antony Antony and Cleopatra Bacon beauty Ben Jonson Berkeley Castle bird body character characteristic chiefly Cleopatra colour Coriolanus cries Cymbeline death declares describes disease dogs doth dramatists drawn Elizabethan emotion emphasised evil eyes fear feeling fire foul garden Gloucester Hamlet hath heaven Henry Henry VI Honest Whore horror human idea imagery imagination Imogen interest King John King Lear large number light Love's Love's Labour's Lost lovers Macbeth Marlowe metaphor movement nature night noticed number of images Othello passion personifications picture play prisoners realise Richard Richard II river Romeo and Juliet running says scene sense Shake Shakespeare Shakespeare's images Shakespeare's mind sickness similes smell soul sound speare's sport stars sweet swift symbol tells things thou thought Timon tion touch tragedy tree Troilus and Cressida vivid weeds whole wind words