The first complete study of Ishiguro's work from A Pale View of the Hills to When We Were Orphans, this book explores the centrality of dignity and displacement in Ishiguro's vision, and teases out the connotations of home and homelessness in his fictions. Barry Lewis focuses on such key questions as: How Japanese is Ishiguro?; What role does memory and unreliability play in his narratives?; Why was The Unconsoled understood to be such a radical break from the earlier novels?
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Amit Chaudhuri Anthony Thwaite Artist asks atomic bomb Banks Booker Prize Boris British Brodsky butler Chapter character Christopher Banks cinema consolation critics culture Darlington Hall daughter despite dignity displacement dream England English episode Etsuko fantasy father feel film Floating World geisha genre ghost guilt Hoffman homelessness Ishiguro's fictions Ishiguro's novel Japan Japanese Kazuo Ishiguro Keiko Kuroda later literary London Lord Darlington Malcolm Bradbury marriage Matsuda matter memory miai Miss Collins Miss Kenton Mori-san mother musician Nagasaki narrative narrator night Niki Noriko Ogata Ono's painting Pale View parents Pico Iyer postcolonial pupil reader Remains Review Rorem Ryder Sachiko and Mariko Saito Salman Rushdie scene self-space sense sequence shame short story Sophie Stevens Stevens's suicide talk tells themes things thinks Timothy Mo tion town Unconsoled View of Hills Vorda whilst woman words writing WWWO Yasusada