The Bridling of Pegasus: Prose Papers on PoetryAlfred Austin's 'The Bridling of Pegasus: Prose Papers on Poetry' is a collection of insightful essays that delve into the world of poetry with depth and elegance. Written in a concise and engaging style, Austin explores the essence of poetic expression, discussing various forms, themes, and techniques used by poets. Drawing from classical and contemporary examples, the book provides a comprehensive overview of the art of poetry, making it a valuable resource for students and enthusiasts alike. Austin's keen observations and thoughtful analysis offer readers a fresh perspective on the power and beauty of language in verse. Through his exploration of the creative process and the role of the poet in society, Austin inspires a deeper appreciation for the craft of poetry and the importance of artistic expression. Alfred Austin, a prolific writer and former Poet Laureate of England, brings a wealth of experience and expertise to 'The Bridling of Pegasus'. His deep love for literature and dedication to promoting the arts shine through in this exceptional collection of prose papers. With a background in both poetry and criticism, Austin offers readers a unique insight into the world of poetry, making this book a must-read for anyone interested in the art form. For those looking to deepen their understanding of poetry and broaden their literary horizons, 'The Bridling of Pegasus' is a highly recommended read. Austin's eloquent prose and profound reflections on the nature of poetry make this book a valuable addition to any library. Whether you are a seasoned poet or a novice enthusiast, this collection offers something for everyone, inviting readers to explore the rich tapestry of language and imagination woven by poets throughout the ages. |
From inside the book
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... written poetry of the noblest quality, no less a poet than Wordsworth. Yet he sorely tries his readers by page after page no more poetical than the foregoing; and he offered, on the first appearance of every volume of his, ample matter ...
... written poetry of the noblest quality, no less a poet than Wordsworth. Yet he sorely tries his readers by page after page no more poetical than the foregoing; and he offered, on the first appearance of every volume of his, ample matter ...
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... written at the end of Margaret, “If this be poetry, surely many people may say they have written poetry all their lives without knowing it.” But as Matthew Arnold's critical opinions will carry more weight than mine, and he has included ...
... written at the end of Margaret, “If this be poetry, surely many people may say they have written poetry all their lives without knowing it.” But as Matthew Arnold's critical opinions will carry more weight than mine, and he has included ...
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... written in the reigns of Charles I. and Charles II., and confining ourselves to the di majores of poetry, we may pass on to Milton, whose Allegro and Penseroso as likewise the lyrics in Comus, are too familiar to every one to be more ...
... written in the reigns of Charles I. and Charles II., and confining ourselves to the di majores of poetry, we may pass on to Milton, whose Allegro and Penseroso as likewise the lyrics in Comus, are too familiar to every one to be more ...
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... written and talked about. This circumstance is far from being conclusive as to whether, during the same period, poems higher and greater than mere Lyrical Poetry have or have not been produced. But it is absolutely certain that, if ...
... written and talked about. This circumstance is far from being conclusive as to whether, during the same period, poems higher and greater than mere Lyrical Poetry have or have not been produced. But it is absolutely certain that, if ...
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Contents
A COMPARISON AND A CONTRAST | |
BYRON AND WORDSWORTH | |
DANTES REALISTIC TREATMENT OF THE IDEAL | |
DANTES POETIC CONCEPTION OF WOMAN | |
A VINDICATION OF TENNYSON | |
ON THE RELATION OF LITERATURE TO POLITICS | |
A CONVERSATION WITH SHAKESPEARE IN THE ELYSIAN FIELDS | |
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Common terms and phrases
admiration Æneid Alfred de Musset Beatrice beautiful body of powerful Byron called canto character Chaucer cheerful Childe Harold conception of Woman confess criticism Dante Dante’s delightful disinterested lover Divina Commedia doubt dramatic English poet English poetry epic expressed feel feminine note genius hear heard heart Heaven human Ideal imagination inferior interest kind L’Allegro less lines literary literature Locksley Hall lover of poetry Lyrical Poetry masculine Matthew Arnold melodious Muse Musset nature never o’er once one’s opinion Paradise Lost passage passions perhaps persons Pessimism poem poet poet since Milton poet’s poetic politics prose readers realistic Reflective Poetry Rizpah Scherer seems sentiment Shakespeare Shelley singing song Spenser stanzas sure sweet Swinburne sympathy tale tell tender Tennyson theme things thought true verse Victor Hirtzler Victor Hugo Virgil Vita Nuova women words Wordsworth Wordsworthian write written