Romantic Comedy: Boy Meets Girl Meets GenreRomantic Comedy offers an introduction to the analysis of a popular but overlooked film genre. The book provides an overview of Hollywood's romantic comedy conventions, examining iconography, narrative patterns, and ideology. Chapters discuss important subgroupings within the genre: screwball sex comedy and the radical romantic comedy of the 1970s. A final chapter traces the lasting influence of these earlier forms within current romantic comedies. Films include: Pillow Talk (1959), Annie Hall (1977), and You've Got Mail (1998). |
Contents
screwball comedies | 18 |
the sex comedy | 38 |
the radical romantic comedy | 59 |
Copyright | |
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acknowledges Alvy Alvy's American Annie Hall aware boy meets Brad Bringing Up Baby camera characteristics characters CINEMA classic comedy's contemporary contexts contrast conventions couple couple's David elements Ellie Elliot emotional emphasis employed evoke example feelings female film's filmmakers final gender Godfrey Goodbye Girl Happened One Night hero heterosexual Hollywood humour ideology importance insults Irene Jessica Kate and Leopold Kathleen Kinsey's Krutnik Lose a Guy Lover Come Back Mail mainstream romantic comedy male marriage marry masquerade mise-en-scène narrative neo-traditional romantic comedy pair partner Paula persona Peter Pillow Talk play playboy plot Production Code protagonists radical romantic comedy realises referencing relationship reveals romantic love romcom scene screwball comedy seems seen self-referentiality self-reflexivity sex comedy sexual fulfilment slapstick Sleepless in Seattle song story sub-genre suggest Susan texts theme traditional tropes underline Unmarried Woman viewer virgin visual wants women York You've Got Mail