Professional Experience and the Investigative Imagination: The Art of Reflective WritingThis book explains and demonstrates how creative writing can be used successfully in the context of professional education where traditionally a more distanced approach to reporting on professional experience has been favoured. It is based on many practical examples, drawn from several years' experience of running courses for social workers, nurses, teachers, managers and higher education staff, in which participants explore their professional practice through imaginative forms of writing. The participants experience of the work is presented through a discussion of interviews and evaluative documents. The book includes a set of distance-learning materials for those wishing to undertake such work for themselves or to establish similar courses, as well as a full analysis of the link between professional reflection and the artistic imagination. The book makes available a new and more broadly-based approach to the process of professional reflection, and the concept of the patchwork text has general relevance for debates about increasing access to higher education qualifications. |
Contents
1 | |
writing and interpreting stories in a professional context | 20 |
shaping meaning through the the exploration of diversity
| 64 |
distancelearning materials | 107 |
What was it like and what effect did it have?
| 149 |
experiencing the reflective writing course
| 165 |
the strange absence of the creativ
imagination in professional education | 180 |
The professional worker and the artisttwo
myths of betrayal | 221 |
225 | |
231 | |
Other editions - View all
Professional Experience and the Investigative Imagination: The Art of ... Alyson Buck,Paula Sobiechowska,Richard Winter No preview available - 2002 |
Common terms and phrases
aesthetic ambiguity argument artistic aspect beautiful beginning Belgara Bernlef can’t Chapter client commentary concern confidence contrast couldn’t create creative cultural described didn’t difficult discussion emotional emphasises example explore eyes face feel felt fiction fictional film Filofax final find first format going group race human ideas imagination important individual influence interpretations interview issues judgements Julian Barnes Kyoko learning look meaning narrative Natalie Goldberg nurse ofthe one’s organisation overall participants patchwork text patients pieces of writing practice presented professional experience professional reflection question readers realised reality recognise reflective paradigm reflective writing course relationship response Richard Winter role scientific seems sense session shaping significance situation social worker someone sort specific staff Stephen story story—writing structure suggests teacher tell theme there’s things thought understanding values voice words writing and sharing written