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advertising American Graffiti archaism audiences Aviator Cadillac car’s Cathy Cathy’s century chapter characters cinema City Clooney colour consumer capitalism contemporary context costume critique decade deliberate archaism desire digitally discourses domestic sitcom Douglas Sirk dress Dwight’s engagements with nostalgia evoke nostalgia experience explore femininity fiction Fifties nostalgia film noir film’s filmic filmmakers footage foreground Forrest Gump function genre George Clooney Heaven Hepburn Hollywood Howard Hughes Hughes insight intertextual investment Jameson kind L.A. Confidential Leonardo DiCaprio look meaning memory mise en scène mobilized montage sequences movie mythic narrative noir nostalgia film nostalgia mode nostalgic construct offer palette pastiche period political popular Populuxe Populuxe Fifties postmodern postwar practices present production props Raymond reality representations role scene screen sequence shot Sin City sitcoms social Soderbergh specific spectacle spectator strategies suggests surface realism tail-finned car Technicolor technicolor aesthetic television three-strip two-strip viewers visual pastness