Photo Provocations: Thinking In, With, and about Photographs, Volume 1Compared to verbal print media, the mechanisms for making, disseminating, and managing photographs are all quite new. At the same time, there is little precedent for how to think about pictures as items to be managed for the use of others. In Photo Provocations, O'Connor and Wyatt provide us with "threads of thought" from which can be woven into more effective systems of access and use. While some of the essays in the text are aimed directly at librarians, archivists, and those whose professional work hinges directly on deep understanding of photographs, the majority is aimed at all who want to make better use of images: whether in shooting photographs, using photographs to tell stories or make presentations, depending on photographs for evidence in numerous academic arenas, or using family photo albums to help make sense out of being human. |
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Contents
If a Picture Were Worth One Thousand Words | 1 |
Why Are We Writing a Book about Photographs? | 5 |
Argus Eyes across the Years | 15 |
Blow Up Redux | 25 |
Butterfly Effect | 31 |
Butterfly Redux | 39 |
Dust Bowl in Maine | 45 |
Exquisite Empiricism | 49 |
Native Elements | 105 |
Native Elements Redux | 111 |
Ripples of Meaning | 117 |
Pointing at Cattle and Dogs Reflections on an Eyemodule | 123 |
Whats Right with This Picture? | 129 |
Up the Representation of a Creek with Only a Representation of a Paddle | 133 |
Sun Sculpture Flailing about in Photospace | 141 |
Pictures of Boys with Guns | 147 |
Exquisite Empiricism Redux | 67 |
Robocams and AACR | 73 |
Digital Mindscapes | 77 |
Interface | 83 |
Off the Rez | 89 |
The Predicament of Categories | 93 |
Reflections on a Photojournal Notebook | 101 |
With Apologies to Magritte | 151 |
Face of the Bull | 157 |
Epilogue on Provocation | 161 |
163 | |
About the Authors | |
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