Elements of Criticism..Charles Ingham, in Skinner Row, 1772 - Criticism |
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Page 9
... writer , who poffeffed , if any man ever did , the true genius of the English tongue + . I cannot however for- A 5 bear That the Italian tongue is rather too smooth , feems probable from confidering , that in verfification words are ...
... writer , who poffeffed , if any man ever did , the true genius of the English tongue + . I cannot however for- A 5 bear That the Italian tongue is rather too smooth , feems probable from confidering , that in verfification words are ...
Page 11
... writer equals Cicero : the beauty of the follow- ing * See the reafon , chap . 8 . + De ftructura perfectæ orationis , I , 2 . See Demetrius Phalereus of Elocution , fect . 18 , ing examples out of many , will not fuffer me Sect . I. II ...
... writer equals Cicero : the beauty of the follow- ing * See the reafon , chap . 8 . + De ftructura perfectæ orationis , I , 2 . See Demetrius Phalereus of Elocution , fect . 18 , ing examples out of many , will not fuffer me Sect . I. II ...
Page 12
... well faid by a noted writer * , " That by means " of speech we can dive.t our forrows , mingle our * Scot's Christian life . mirth , " mirth , impart our fecrets , communicate our counfels 12 BEAUTY OF LANGUAGE . Ch . XVIII .
... well faid by a noted writer * , " That by means " of speech we can dive.t our forrows , mingle our * Scot's Christian life . mirth , " mirth , impart our fecrets , communicate our counfels 12 BEAUTY OF LANGUAGE . Ch . XVIII .
Page 14
... writers to make examples from them neceffary , I confine myself to the most cele- brated authors . Livy , fpeaking of a rout after a battle , Multique in ruina majore quam fuga oppreffi obtrunca- tique . L. 4. § 46 . This author is ...
... writers to make examples from them neceffary , I confine myself to the most cele- brated authors . Livy , fpeaking of a rout after a battle , Multique in ruina majore quam fuga oppreffi obtrunca- tique . L. 4. § 46 . This author is ...
Page 16
... writers it paffes for a beauty . It is the giving different names to the fame object , mentioned oftener than once in the fame period . Example : Speaking of the English adventurers who first attempted the conqueft of Ireland , " and ...
... writers it paffes for a beauty . It is the giving different names to the fame object , mentioned oftener than once in the fame period . Example : Speaking of the English adventurers who first attempted the conqueft of Ireland , " and ...
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accent action Æneid againſt agreeable alfo appears beauty becauſe cafe caufe cauſe cenfured circumftance clofe cloſe compariſon compofed compofition confidered connected defcribing defcription Demetrius Phalereus difagreeable diftinguished effect emotions employ'd Eneid epic epic poem epic poetry example expreffed expreffion faid fame fcene fecond feems fenfe fenfible fentiment feparated fhall fhort fyllables fhould fignify figure fimilar fimile fingle firft fome fpeech ftill fubftantive fubject fucceffion fuch fupport garden hath Hexameter houſe Iliad impreffion inftances itſelf ject laft language lefs long fyllable meaſure melody mind moſt mufic muft muſt nature neceffary obferved object occafion oppofite ornaments paffage paffion paufe pauſe perfon perfonification pleaſure poem prefent profe proper purpoſe raiſed reafon refemblance refpect reft reprefentation reprefented rhyme Richard II rule ſcene ſenſe Spondees tafte taſte thefe theſe thing thofe thoſe thou thought tion uſe vafes verfe words
Popular passages
Page 202 - Many a time and oft Have you climb'd up to walls and battlements, To towers and windows, yea, to chimney-tops, Your infants in your arms, and there have sat The livelong day, with patient expectation, To see great POmpey pass the streets of Rome...
Page 193 - Why, well; Never so truly happy, my good Cromwell. I know myself now; and I feel within me A peace above all earthly dignities, A still and quiet conscience.
Page 145 - With deafning clamours in the slippery clouds, That, with the hurly," death itself awakes ? Can'st thou, O partial sleep ! give thy repose To the wet sea-boy in an hour so rude ; And in the calmest and most stillest night, With all appliances and means to boot, Deny it to a king? Then, happy low, lie down ! Uneasy lies the head that wears a crown.
Page 223 - A dungeon horrible, on all sides round, As one great furnace flamed; yet from those flames No light; but rather darkness visible Served only to discover sights of woe, Regions of sorrow, doleful shades, where peace And rest can never dwell, hope never comes That comes to all, but torture without end Still urges, and a fiery deluge, fed With ever-burning sulphur unconsumed.
Page 144 - To monarchize, be fear'd and kill with looks, Infusing him with self and vain conceit, As if this flesh which walls about our life Were brass impregnable, and...
Page 144 - And hush'd with buzzing night-flies to thy slumber, Than in the perfum'd chambers of the great, Under the canopies of costly state, And lull'd with sounds of sweetest melody?
Page 169 - O navis, referent in mare te novi fluctus ! o quid agis ? fortiter occupa portum ! nonne vides ut nudum remigio latus et malus celeri saucius Africo 5 antennaeque gemant ac sine funibus vix durare carinae possint imperiosius aequor?
Page 144 - O gentle sleep, Nature's soft nurse, how have I frighted thee, That thou no more wilt weigh my eyelids down, And steep my senses in forgetfulness...
Page 206 - There are a sort of men whose visages Do cream and mantle like a standing pond, And do a wilful stillness entertain, With purpose to be dress'd in an opinion Of wisdom, gravity, profound conceit; As who should say, " I am Sir Oracle, And when I ope my lips let no dog bark...
Page 171 - What could have been done more to my vineyard, that I have not done in it ? wherefore, when I looked that it should bring forth grapes, brought it forth wild grapes...