+And all this raking toyle, and carke and care, +GENTLE-CRAFT. And since that, one of the gentle craft, who took me Of craft, and crafts-men, more or less, not much, unless his quality exceedes; but his vailes are great; insomuch that he totally possesseth the gentlewoman, and commands the chambermaid to starch him into the bargaine. The smallness of his legs bewrayes his profession, and feeds much upon veale to encrease his calfe. His greatest ease is, he may lye long in bed, and when hee's up, may call for his breakfast, and goe without it. A twelvemoneth hath almost worne out his habit, which his annual pension will scarcely supply. Yet if his lady likes the carriage of him, shee increaseth his annuity. And though shee saves it out o' th' kitchin, she'l fill up Char. 31. her closet. The jest about veal, bad as it is, was probablycopied from the mock receipts. at the end of Overbury's Characters: For restoring gentlemen-ushers' legs.-If any gentle. man-usher have the consumption in his legs, let him feede lustily upon veale, two months in the springtime, and forbeare all manner of mutton, and hee shall increase in the calfe. Under "all manner of mutton," LACED MUTTON is probably meant to be comprised, q. v. The Tatler speaks of a young mercer, become a gentleman, and anxious to support the character, who complains to him, Though I was the most pert creature in the world, when I was foreman, and could hand a woman of the first quality to her coach as well as her own gentleman usher, I am now quite out of my way. No. 66. GENTLEMAN-USHER. Originally a state officer, attendant upon queens, and other persons of high rank, as, in Henry VIII, Griffith is gentlemanusher to queen Catherine; afterwards a private affectation of state, assumed by persons of distinction, or those who pretended to be so, and particularly ladies. He was then only a sort of upper servant, out of livery, whose office was to hand his lady to her coach, and to walk before her bare- GENTRY, for gentility, complaisance. headed (see BARE), though in later times she leaned upon his arm. As much as curiosity can require concerning this custom, may be found in Ben Jonson's comedy of The Devil is an Ass, where Ambler figures as gentleman-usher to lady Taile-bush; and in the Tale of a Tub, where my lady Tub is served by Martin Polecat in the same capacity, having changed his name to Pol-Martin. To have it sound like a gentleman in an office. A whole length picture of this curious A gentleman-usher is a spruce fellow, belonging to a gay lady, whose footstep in times of yore his lady followed, for he went before. But now hee is growne so familiar with her that they goe arme and arme.— His greatest vexation is going upon sleevelesse arrands, to know whether some lady slept well last night, or how her physick work'd i' th' morning, things that savour not well with him; the reason that ofttimes hee goes but to the next taverne, and then very discreetly brings her home a tale of a tubbe. He is forced to stand bare, which would urge him to impatience, but for the hope of being covered, or rather the delight hee takes in shewing his new-crisp't hayre, which his barber hath caus'd to stand like a print hedge, in equal proportion. He hath one commendation amongst the rest (a neat carver), and will quaintly administer a trencher in due season. His wages is If it will please you Haml., ii, 2. +You're not quite Cartwright's Ordinary, 1651. GEORGE, ST. The well-known and long-established patron of England. The following injunction, from an old art of war concerning the use of his name in onsets, is curious: Item, that all souldiers entering into battaile, assault, skirmish, or other faction of armes, shall have for their common cry and word, St. George, forward, or, upon them St. George, whereby the souldier is much com forted, and the enemie dismaied, by calling to minde the ancient valour of England, which with that name has so often been victorious, &c. Cited by Warton in a Note on Rich. III, act v, sc. 3. See also O. Pl., ii, 372; iii, 20. The combat of this saint on hoseback with a dragon has been very long established as a subject for sign painting: St. George that swing'd the dragon, and e'er since Sits on his horseback at mine hostess' door, Teach us some fence. K. John, ii, 1. But I find an allusion to a slanderous sign at Kingston, on which St. George was represented as on foot, and flying from the attack of the dragon's tail: To-morrow morning we shall have you look B. & Fl. Woman's Prize, i, 3. And calls his blouze, his queen, Witts Recreations, 1654. +GEORGY. Here he picks out and culls the men on horse-back, +GERGON. Jargon; chattering. Cartwright's Ordinary, 1651. For all your great words, like St. George at Kingston, Running a foot-back from the furious dragon, That with her angrie tail belabours him For being lazie. This was a most disgraceful representation of the favorite saint, and, till we have it further explained, we cannot but wonder that it should have been tolerated. Some unexplained custom is also alluded to in the mention of blue coats on St. George's day. From the two passages relative to it, I think we may conclude that +GER-LAUGHTER. Coarse laughter. some festive ceremony was carried on at St. Paul's on St. George's day annually; that the court attended; that the blue coats, or attendants, of the courtiers, were employed and authorised to keep order, and drive out refractory persons; and that on this occasion it was proper for a knight to officiate as a blue coat to some personage of higher rank. The passages are these: By Dis, I will be knight, Runne and a great Cast, Epigr. 33. Yet he'l be thought or seen Use them as grave counsellors smiles, not as rude hobbinolds ger-laughters, who thinke they are never merry except they cast the house out of the windowes with extreame securitie. GERMAN. A brother. Germanus, Latin. Melton's Sixefold Politician, 1609. And, sluggish german, doest thy forces slake, To aftersend his foe that him may overtake. Spens. F. Q., I, v, 10. So Spenser in other places: F. Q., II, viii, 46. A woman that is like a German clock, The following is also said of woman: An image in a German clock doth move, Not walk. Ordinary, O. Pl., x, Here, take my German watch, hang't up in sight, Dutch watches lay under the same imputation as German clocks, and perhaps might be only another name for the same thing. We see, in the first passage from Shakespeare, that a clock is called also a watch; and the wooden clocks are still more frequently called Dutch than German. A real watch could not well require such constant repairing: You are not daily mending like Dutch watches, B. & Fl. Wit without Money, act iii, p. 310. Another comparison of a maid to a clock may be here inserted, from its relation to some above cited: I know not of any other authority for this word. In the first folio of Shakespeare, it is spelt germaine in both instances. To GERNE, v. To yawn. Sometimes written girn, and therefore taken for a corruption of grin, having the same letters; but in the following passage the wide opening of the jaws is plainly marked: His face was ugly and his countenance sterne, Spens. F. Q., V, xii, 15. From the Saxon geonian, or geornean, oscitare. Yet girn, for grin, is still used in Scotch, and some other dialects. GERMAN, HIGH; probably a tall A GERNE, s. German, shown for a sight. A name which I'd tear out From the high German's throat, if it lay lieger there To dispatch privy slanders against me. See also p. 39. Roaring Girl, O. Pl., vi, 52. I do not agree with the editor, that the same person is meant by the German "who escaped out of Woodstreet." The high German must have been some man generally known for strength or size; that the same person should also have had a very narrow escape from Wood-street, is possible to be sure, but very improbable. Perhaps the high German was the famous fencer, whose feats are thus recorded: Since the German fencer cudgelled most of our English fencers, now about 5 monethis past. Owle's Almanacke, publ. 1618, p. 6. High German may, however, be only in opposition to low German, or Dutch; as, for a long time, high German quack doctors were in repute. GERMANE, or GERMAN, adj.; from german, a brother. Related to, allied, connected with. Not he alone shall suffer what wit can make heavy, A yawn, probably, but Ant. & Mellida, Anc. Dr., ii, 154. GERRE. Quarrelling: evidently from the French, guerre. I have not found it, except in the following passage, and therefore consider it only as an affectation of the author: Wherein is the cause of theyre wrangelynge and gerre, GEST. To let him have the new-resolved-upon gests, from that time to the end, that he might from time to time know where the king was Memorials of Cranm., p. 283. Hence we see that the table of the gests limited not only the places, but the time of staying at each; on which depends the propriety of the following expression of Shakespeare: When at Bohemia You take my lord, I'll give you my commission Mr. Todd observes, that Hammond seems to have used gesses in this sense. 2. A gest also meant an action; gestum. Undoubtedly derived, as Warton observed, Hist. Poet., iii, 18, from the popular books entitled Gesta Romanorum, and the like, which contained narratives of remarkable adventures. Whence also, with a little change of sense, the word jest might possibly be formed; being first a story, related for amusement, of some fact; and, by degrees, any kind of entertaining discourse, till it became with synonymous joke, and the verb to jest. Other derivatives were formed from it. This, at least, is full as probable as to jest, from gesticulor; since gesticulation is a very accidental and subordinate part of jesting. And goodly gan discourse of many a noble gest. Spens. F. Q., I, x, 15. They were two knights of peerlesse puissance, And famous far abroad for warlike gest. Ibid., II, ii, 16. The gests of kings, great captains, and sad wars, What number best can fit, Homer declares. B. Jons. Transl. of Art of P., vol. vii, 171. The chief and principall is the laud, honour, and glory of the immortall gods (I speake now in phrase of the Gentiles). Secondly, the worthy gests of noble princes. Puttenham, i, 10. 3. Also gesture, or carriage of body: Portly his person was, and much increast Ibid., III, viii, 8. +GESTNING. Lodging; entertainment. Du Bartas. Then sayd she, Judith, now is time, go to it, And save thy people. Nay, I will not do it. I will, I will not. Go, fear not again: Wilt thou the sacred gestning then prophane? Not it prophane; but holier it shall stand, When holy folke are helped by my hand. GET-PENNY. A theatrical term for a performance that turned out very profitable. We still use the word catch-penny, but only for things not have presented that to an eighteen or twenty pence audience, nine times in an afternoon. B. Jons. Barth. Fair, v, 1. When the famous fable of Whittington and his puss shall be forgotten, thou and thy acts become the posies for hospitals; when thy name shall be written upon conduits, and thy deeds play'd i' thy lifetime by the best company of actors, and be called their getpenny. Eastward Hoe, O. Pl., iv, 267. +GEULE-GAME. "A yew-game or geule game, gambade." Howell, Lex. Tetr., 1660. To GHESSE. So Spenser writes to guess, the etymology being ghissen, Dutch. Some, therefore, have contended for this spelling. It seemd a second Paradise I ghesse, So lavishly enricht with nature's threasure. Spens. F. Q., IV, x, 23. See Johnson and Todd in loc. Guess, however, has been too long settled to be altered. +Phy. Madam, my innocence will plead my pardon; I could Not ghesse for whom my lord intended it. The Lost Lady, a Tragy-Comedy, 1638. GHITTERN. See GITTERN. GHOST. A dead person. Whoever was the author of the second part of Henry VI certainly meant to describe the common appearance of a corpse after a natural death, in these lines: Oft have I seen a timely-parted ghost, Of ashy semblance, meagre, pale, and bloodless, Being all descended to the labouring heart, &c. 2 Hen. VI, iii, 2. But, he goes on to say, the appearance of the duke of Gloucester's corpse (then before them) is quite different from one timely-parted, or dying in due course of time, as it exhibits every possible mark of violence. Mr. Malone has shown that ghost is similarly used for a dead body, in the same play from which this was taken: Sweet father, to thy murder'd ghost I swear. Addressing the corpse before him. Spenser has employed it to signify a person: No knight so rude, I ween, F. Q., II, viii, 26. Thus a person is sometimes called a soul. A similar passage occurs in Fletcher's Purple Island: Whose leaden eyes sunk deep in swimming head, worth the penny that they catch. To GHOST, v. Get-penny was more respectable, and probably used by tradesmen also. But the Gunpowder Plot,-there was a get-penny! I To haunt as a ghost. Since Julius Cæsar, Who at Philippi the good Brutus ghosted, Ant. and Cleop., ii, 6. falles. That a large purple streame adown their glambeux sublime personages Pennant says: A gyant's posture in a gyant's line. And thus attended by his direful dog, A GIB, or a GIB CAT. 66 In (or old male cat), Matou." It was But ca'st thou not tell in faith, Diccon, why she frowns Hath no man stolen her ducks, or henes, or gelded bear. For who that's but a queen, fair, sober, wise, Haml., iii, 4. It is improperly applied to a female Bring out the cat-hounds, I'll make you take a tree, Gibb'd cat, which appears in some Yes, and swell like a couple of gibb'd cats, met both Match at Midn., O. Pl., vii, 369. |