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+And all this raking toyle, and carke and care,
Is for his clownish first borne sonne and heyre,
Who must be gentled by his ill got pelfe;
Though he, to get it, got the divell himselfe.
Taylor's Workes, 1630.
The craft of shoe-

+GENTLE-CRAFT.
making.

And since that, one of the gentle craft, who took me
infinitely for the excellent guift he had in tickling a
lady's heel.
The Wizard, a Play, 1640, MS.
An old ballad on the gentle-craft
commences thus:

Of craft, and crafts-men, more or less,
The gentle-craft I must commend;
Whose deeds declare their faithfulness,
And hearty love unto their friend,
The gentle-craft in midst of strife,
Yields comfort to a careful life.

not much, unless his quality exceedes; but his vailes are great; insomuch that he totally possesseth the gentlewoman, and commands the chambermaid to starch him into the bargaine. The smallness of his legs bewrayes his profession, and feeds much upon veale to encrease his calfe. His greatest ease is, he may lye long in bed, and when hee's up, may call for his breakfast, and goe without it. A twelvemoneth hath almost worne out his habit, which his annual pension will scarcely supply. Yet if his lady likes the carriage of him, shee increaseth his annuity. And though shee saves it out o' th' kitchin, she'l fill up Char. 31.

her closet.

The jest about veal, bad as it is, was probablycopied from the mock receipts. at the end of Overbury's Characters: For restoring gentlemen-ushers' legs.-If any gentle. man-usher have the consumption in his legs, let him feede lustily upon veale, two months in the springtime, and forbeare all manner of mutton, and hee shall increase in the calfe.

Under "all manner of mutton," LACED MUTTON is probably meant to be comprised, q. v.

The Tatler speaks of a young mercer, become a gentleman, and anxious to support the character, who complains to him,

Though I was the most pert creature in the world, when I was foreman, and could hand a woman of the first quality to her coach as well as her own gentleman usher, I am now quite out of my way.

No. 66.

GENTLEMAN-USHER. Originally a state officer, attendant upon queens, and other persons of high rank, as, in Henry VIII, Griffith is gentlemanusher to queen Catherine; afterwards a private affectation of state, assumed by persons of distinction, or those who pretended to be so, and particularly ladies. He was then only a sort of upper servant, out of livery, whose office was to hand his lady to her coach, and to walk before her bare- GENTRY, for gentility, complaisance. headed (see BARE), though in later times she leaned upon his arm. As much as curiosity can require concerning this custom, may be found in Ben Jonson's comedy of The Devil is an Ass, where Ambler figures as gentleman-usher to lady Taile-bush; and in the Tale of a Tub, where my lady Tub is served by Martin Polecat in the same capacity, having changed his name to Pol-Martin.

To have it sound like a gentleman in an office.
Act i, sc. 6.

A whole length picture of this curious
appendage of pride is given in Len-
ton's Leasures (1631), which being,
as I apprehend, a scarce book, I shall
insert nearly the whole of it:

A gentleman-usher is a spruce fellow, belonging to a gay lady, whose footstep in times of yore his lady followed, for he went before. But now hee is growne so familiar with her that they goe arme and arme.— His greatest vexation is going upon sleevelesse arrands, to know whether some lady slept well last night, or how her physick work'd i' th' morning, things that savour not well with him; the reason that ofttimes hee goes but to the next taverne, and then very discreetly brings her home a tale of a tubbe. He is forced to stand bare, which would urge him to impatience, but for the hope of being covered, or rather the delight hee takes in shewing his new-crisp't hayre, which his barber hath caus'd to stand like a print hedge, in equal proportion. He hath one commendation amongst the rest (a neat carver), and will quaintly administer a trencher in due season. His wages is

If it will please you
To shew us so much gentry and good-will
As to expend your time with us awhile.

Haml., ii, 2.

+You're not quite
Free of the gentry till y' have marr'd one man
And made another: when one fury hath
Cryd quit with t'other, and your lust repair'd
What anger hath destroyd, the titles yours,
Till then you do but stand for 't.

Cartwright's Ordinary, 1651. GEORGE, ST. The well-known and long-established patron of England. The following injunction, from an old art of war concerning the use of his name in onsets, is curious:

Item, that all souldiers entering into battaile, assault, skirmish, or other faction of armes, shall have for their common cry and word, St. George, forward, or, upon them St. George, whereby the souldier is much com forted, and the enemie dismaied, by calling to minde the ancient valour of England, which with that name has so often been victorious, &c. Cited by Warton in a Note on Rich. III, act v, sc. 3. See also O. Pl., ii, 372; iii, 20. The combat of this saint on hoseback with a dragon has been very long established as a subject for sign painting:

St. George that swing'd the dragon, and e'er since Sits on his horseback at mine hostess' door, Teach us some fence. K. John, ii, 1. But I find an allusion to a slanderous sign at Kingston, on which St. George was represented as on foot, and flying from the attack of the dragon's tail:

To-morrow morning we shall have you look

B. & Fl. Woman's Prize, i, 3.

And calls his blouze, his queen,
And speaks in language keen.

Witts Recreations, 1654.
I sometimes have known when an answer hath been
brought enough to divide the most intimate friends,
which when 'twas inquir'd into prov'd no more to the
mind of the party that sent it, then George-a-Greene
to the man in the moon.
A Cap, &c., p. 115.

+GEORGY.

Here he picks out and culls the men on horse-back,
and by slight of hand, with wonderful celerity, dis-
mounts their Georgies.
Head's Proteus Redivivus, 1675.

+GERGON. Jargon; chattering.
They being all coltish and full of ragery,
And full of gergon as is a flecken pye.

Cartwright's Ordinary, 1651.

For all your great words, like St. George at Kingston, Running a foot-back from the furious dragon, That with her angrie tail belabours him For being lazie. This was a most disgraceful representation of the favorite saint, and, till we have it further explained, we cannot but wonder that it should have been tolerated. Some unexplained custom is also alluded to in the mention of blue coats on St. George's day. From the two passages relative to it, I think we may conclude that +GER-LAUGHTER. Coarse laughter. some festive ceremony was carried on at St. Paul's on St. George's day annually; that the court attended; that the blue coats, or attendants, of the courtiers, were employed and authorised to keep order, and drive out refractory persons; and that on this occasion it was proper for a knight to officiate as a blue coat to some personage of higher rank. The passages are these:

By Dis, I will be knight,
Wear a blue coat on great St. George's day,
And with my fellows drive you all from Paul's
For this attempt.
Ram Alley, O. Pl., v, 486.
With 's coram nomine keeping greater sway
Than a court blew-coat on St. George's day.

Runne and a great Cast, Epigr. 33.
More explanation, however, is cer-
tainly wanting. The legendary history
of this noble English or Cappadocian
knight and saint may be read in the
once popular History of the Seven
Champions of Christendom, compiled
by Richard Johnson, in the reign of
James I. But the more authentic
account is in Heylin's elaborate and
less marvellous History of St. George,
4to, 1633. See also Bradley's Clavis
Calendaria, vol. i, p. 307. The history
is sketched in several old ballads.
+GEORGE-A-GREEN. Or George of
the Green, one of the popular heroes
of the old ballad poetry, not unfre-
quently alluded to. He is represented
as holding the office of pinner, or
pindar, of Wakefield, in Yorkshire,
and as defeating all antagonists with
the quarter-staff. R. Greene made
this hero the subject of a play, which
appeared in 1599.

Yet he'l be thought or seen
So good as George-a-green;

Use them as grave counsellors smiles, not as rude hobbinolds ger-laughters, who thinke they are never merry except they cast the house out of the windowes with extreame securitie. GERMAN. A brother. Germanus, Latin. Melton's Sixefold Politician, 1609. And, sluggish german, doest thy forces slake, To aftersend his foe that him may overtake.

Spens. F. Q., I, v, 10.

So Spenser in other places:
Which when his german saw, the stony feare
Ran to his hart, and all his sence dismayd.

F. Q., II, viii, 46.
You will have coursers for cousins, and gennets for
germans.
Othello, i, 1.
†GERMAN.
A master of fence very
famous about the year 1600, called
the German or the German fencer.
He is frequently alluded to by writers
of the time.
GERMAN CLOCK. The Germans, as
they were the first inventors of clocks,
have always been famous for the
manufacture of them. But the German
clocks alluded to by our early drama-
tists were, probably, those cheap
wooden clocks, which are still im-
ported from the same parts; the
movements of which are of necessity
imperfect, yet are often loaded with
fantastic ornaments, and moving
figures.

A woman that is like a German clock,
Still a repairing; ever out of frame;
And never going aright; being a watch,
But being watch'd that it may still go right.
Love's L. L., iii, 1.

The following is also said of woman:
Being ready [i. e., drest] she consists of hundred pieces,
Much like your German clock, and near ally'd,
Both are so nice they cannot go for pride;
Beside a greater fault, but too well known,
They'll strike to ten, when they should stop at one.
A Mad World, O. Pl., v, 366.
She takes herself asunder still when she goes to bed,
into some twenty boxes; and about next day at noon
is put together again, like a great German clock; and
so comes forth, and rings a tedious larum to the whole
house, and then is quiet again for an hour, but for her
quarters.
B. Jans. Epicane, iv, 2.
For my good toothless countess let us try
To win that old eremite thing, that like

An image in a German clock doth move,

Not walk.

Ordinary, O. Pl., x,
German watches were also in use:

Here, take my German watch, hang't up in sight,
That I may see her hang in English for't.
Roaring Girl, O. Pl., vi, 77.

Dutch watches lay under the same imputation as German clocks, and perhaps might be only another name for the same thing. We see, in the first passage from Shakespeare, that a clock is called also a watch; and the wooden clocks are still more frequently called Dutch than German. A real watch could not well require such constant repairing:

You are not daily mending like Dutch watches,
And plaistering like old walls.

B. & Fl. Wit without Money, act iii, p. 310. Another comparison of a maid to a clock may be here inserted, from its relation to some above cited:

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I know not of any other authority for this word. In the first folio of Shakespeare, it is spelt germaine in both instances. To GERNE, v. To yawn.

Sometimes

written girn, and therefore taken for a corruption of grin, having the same letters; but in the following passage the wide opening of the jaws is plainly marked:

His face was ugly and his countenance sterne,
That could have fray'd one with the very sight,
And gaped like a gulfe, when he did gerne.

Spens. F. Q., V, xii, 15. From the Saxon geonian, or geornean, oscitare. Yet girn, for grin, is still used in Scotch, and some other dialects.

GERMAN, HIGH; probably a tall A GERNE, s.

German, shown for a sight.

A name which I'd tear out

From the high German's throat, if it lay lieger there To dispatch privy slanders against me.

See also p. 39.

Roaring Girl, O. Pl., vi, 52.

I do not agree with the editor, that the same person is meant by the German "who escaped out of Woodstreet." The high German must have been some man generally known for strength or size; that the same person should also have had a very narrow escape from Wood-street, is possible to be sure, but very improbable. Perhaps the high German was the famous fencer, whose feats are thus recorded:

Since the German fencer cudgelled most of our English fencers, now about 5 monethis past.

Owle's Almanacke, publ. 1618, p. 6.

High German may, however, be only in opposition to low German, or Dutch; as, for a long time, high German quack doctors were in repute. GERMANE, or GERMAN, adj.; from german, a brother. Related to, allied, connected with.

Not he alone shall suffer what wit can make heavy,
and vengeance bitter; but those that are germane to
him, though removed fifty times, shall all come under
the hangman.
Wint. T., iv, 3.
The phrase would be more germane to the matter, if

A yawn, probably, but
not certainly, in this passage:
Even so the duke frowns for all this cursou'd world;
Oh, that gerne kills, it kills.

Ant. & Mellida, Anc. Dr., ii, 154.

GERRE. Quarrelling: evidently from the French, guerre. I have not found it, except in the following passage, and therefore consider it only as an affectation of the author:

Wherein is the cause of theyre wrangelynge and gerre,
but onelye in the undiscrete election and choyse of
theyre wyves.
R. Paynell, in Cens. Lit., ix, 26.

GEST.
"A lodging or stage for rest
in a progress or journey.' Kersey.
In the time of royal progresses, the
king's stages, as we may see by the
journals of them in the herald's office,
were called his gests, from the old
French word giste, diversorium. War-
burton. Blount, in his Glossographia,
writes it gists, and explains it as above.
Strype says that Cranmer entreated
Cecil,

To let him have the new-resolved-upon gests, from that time to the end, that he might from time to time know where the king was

Memorials of Cranm., p. 283. Hence we see that the table of the gests limited not only the places, but the time of staying at each; on which depends the propriety of the following expression of Shakespeare:

When at Bohemia

You take my lord, I'll give you my commission
To let him there a month, behind the gest
Prefixed for his parting.
Winter's T., i, 2.
It [the court] remov'd last to the shop of a millener.
The gests are so set down, because you ride.
Decker's Match me in London.

Mr. Todd observes, that Hammond seems to have used gesses in this

sense.

2. A gest also meant an action; gestum. Undoubtedly derived, as Warton observed, Hist. Poet., iii, 18, from the popular books entitled Gesta Romanorum, and the like, which contained narratives of remarkable adventures. Whence also, with a little change of sense, the word jest might possibly be formed; being first a story, related for amusement, of some fact; and, by degrees, any kind of entertaining discourse, till it became with synonymous joke, and the verb to jest. Other derivatives were formed from it. This, at least, is full as probable as to jest, from gesticulor; since gesticulation is a very accidental and subordinate part of jesting.

And goodly gan discourse of many a noble gest. Spens. F. Q., I, x, 15. They were two knights of peerlesse puissance, And famous far abroad for warlike gest. Ibid., II, ii, 16. The gests of kings, great captains, and sad wars, What number best can fit, Homer declares. B. Jons. Transl. of Art of P., vol. vii, 171. The chief and principall is the laud, honour, and glory of the immortall gods (I speake now in phrase of the Gentiles). Secondly, the worthy gests of noble princes. Puttenham, i, 10. 3. Also gesture, or carriage of body:

Portly his person was, and much increast
Through his heroicke grace, and honourable gest.
Spens. F. Q., III, ii, 24.
Him needed not instruct which way were best
Himselfe to fashion likest Florimell,
Ne how to speake, ne how to use his gest,
For he in counterfesaunce did excell.

Ibid., III, viii, 8.

+GESTNING. Lodging; entertainment.

Du Bartas.

Then sayd she, Judith, now is time, go to it, And save thy people. Nay, I will not do it. I will, I will not. Go, fear not again: Wilt thou the sacred gestning then prophane? Not it prophane; but holier it shall stand, When holy folke are helped by my hand. GET-PENNY. A theatrical term for a performance that turned out very profitable. We still use the word catch-penny, but only for things not

have presented that to an eighteen or twenty pence audience, nine times in an afternoon. B. Jons. Barth. Fair, v, 1. When the famous fable of Whittington and his puss shall be forgotten, thou and thy acts become the posies for hospitals; when thy name shall be written upon conduits, and thy deeds play'd i' thy lifetime by the best company of actors, and be called their getpenny. Eastward Hoe, O. Pl., iv, 267. +GEULE-GAME. "A yew-game or geule game, gambade." Howell, Lex. Tetr., 1660.

To GHESSE. So Spenser writes to guess, the etymology being ghissen, Dutch. Some, therefore, have contended for this spelling.

It seemd a second Paradise I ghesse,

So lavishly enricht with nature's threasure. Spens. F. Q., IV, x, 23. See Johnson and Todd in loc. Guess, however, has been too long settled to be altered.

+Phy. Madam, my innocence will plead my pardon; I

could

Not ghesse for whom my lord intended it. The Lost Lady, a Tragy-Comedy, 1638. GHITTERN. See GITTERN. GHOST. A dead person.

Whoever was the author of the second part of Henry VI certainly meant to describe the common appearance of a corpse after a natural death, in these lines: Oft have I seen a timely-parted ghost, Of ashy semblance, meagre, pale, and bloodless, Being all descended to the labouring heart, &c. 2 Hen. VI, iii, 2.

But, he goes on to say, the appearance of the duke of Gloucester's corpse (then before them) is quite different from one timely-parted, or dying in due course of time, as it exhibits every possible mark of violence. Mr. Malone has shown that ghost is similarly used for a dead body, in the same play from which this was taken: Sweet father, to thy murder'd ghost I swear. Addressing the corpse before him. Spenser has employed it to signify a person:

No knight so rude, I ween,
As to doen outrage to a sleeping ghost.

F. Q., II, viii, 26.

Thus a person is sometimes called a soul. A similar passage occurs in Fletcher's Purple Island:

Whose leaden eyes sunk deep in swimming head,
And joyless look, like some pale ashy spright,
Seem'd as he now were dying, or now dead.
B. vii, St. 19.

worth the penny that they catch. To GHOST, v. Get-penny was more respectable, and probably used by tradesmen also.

But the Gunpowder Plot,-there was a get-penny! I

To haunt as a ghost.

Since Julius Cæsar,

Who at Philippi the good Brutus ghosted,
Then saw you labouring for him.

Ant. and Cleop., ii, 6.

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falles.

That a large purple streame adown their glambeux
F. Q., II, vi, 29.
GIANTS OF GUILDHALL. Of these

sublime personages Pennant says:
"Facing the entrance are two tre-
mendous figures, by some named Gog
and Magog, by Stowe an ancient
Briton and Saxon. I leave to others
the important decision." One of them
was called Gogmagog (the patron, I
presume, of the Gogmagog Hills near
Cambridge), and his name, divided,
now serves for both; the other Cori-
næus, the hero and giant of Cornwall,
from whom that county was named.
They are thus mentioned in some old
verses, printed on a broad sheet, 1660:
And such stout Coronaus was, from whom
Cornwal's first honor, and her name doth come.
For though he sheweth not so great, nor tall
In his dimensions set forth at Guildhall,
Know 'tis a poet only can define

A gyant's posture in a gyant's line.

And thus attended by his direful dog,
The gyant was (God bless us) Gogmugog.
British Bibliogr., iv, p. 277.
A male cat.
An expression exactly analogous to
that of a Jack-ass, the one being
formerly called Gib, or Gilbert, as
commonly as the other Jack. Tom-
cat is now the usual term, and for a
similar reason. Tibert is said to be
old French for Gilbert, aud appears
as the name of the cat, in the old
story-book of Reynard the Fox.
Chaucer, in the Romaunt of the Rose,
gives Gibbe, our cat," as the trans-
lation of "Thibert le cas," v. 6204.
From Tibert, Tib also was a common
name for a cat. Gibbe, our cat, is an
important personage in the old play
of Gammer Gurton's Needle.
Sherwood's English Dictionary, sub-
joined to Cotgrave's, we have "A gibbe

A GIB, or a GIB CAT.

66

In

(or old male cat), Matou." It was
certainly a name not bestowed upon
a cat early in life, as we may be
assured by the melancholy character
ascribed to it, in Shakespeare's allu-
sion. It did not mean, as some have
imagined, a castrated cat, because one
of the supposed offences against Gam-
mer Gurton was the reducing Gib
improperly to that state.

But ca'st thou not tell in faith, Diccon, why she frowns
or whereat,

Hath no man stolen her ducks, or henes, or gelded
Gyb her cat.
Gam. Gurt., O. Pl., ii, 10.
'Sblood, I am as melancholy as a gib cat or a ugd
1 Hen. IV, 1, 2.

bear.

For who that's but a queen, fair, sober, wise,
Would from a paddock, from a bat, a gib,
Such dear concernings hide?

Haml., iii, 4.
But afore I will endure such another half day with
him, I'll be drawn with a good gib-cat, through the
great pond at home, as his uncle Hodge was.
B. Jons. Barth. Fair, i, 4.

It is improperly applied to a female
by Beaumont and Fletcher:

Bring out the cat-hounds, I'll make you take a tree,
whore, then with my tiller bring down your gib-ship,
and then have you cas'd and hung up i' the warren.
B. and Fl. Scornful Lady, v, p. 343.
Hence the anonymous editor of Mars-
ton's Parasitaster (Anc. Dr., vol. ii,
p. 381) argues for its meaning a
spayed female cat; but all authorities
are against him. Coles has "Gib, a
contraction of Gilbert ;" and imme-
diately after, "a Gib-cat, catus, felis
mas. Wilkins, in his Index to the
Philosophical Language, has "gib
(male) cat." As to gelded being used
for spayed, he is right. See GELD.
Nothing can be more erroneous than
the explanation adopted in Cens. Lit.,
viii, p. 232.

Gibb'd cat, which appears in some
passages, is only a foolish corruption
of the right form, gib-cat:

Yes, and swell like a couple of gibb'd cats, met both
by chance i' the dark, in an old garret.

Match at Midn., O. Pl., vii, 369.
To GIBBER. Probably made from to
jabber, by a common corrupt redupli-
cation similar to fiddle-faddle, gibble-
gabble, shill-I-shall-I, &c.; and if so,
more properly written jibber. If it
were spoken with the g hard, we
might be inclined to form it from the
same original as gibberish; but the
different sound of the first letter in-
dicates a different root. Gibberish is
conjectured by Johnson to be formed

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