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according actors Alcman ancient antiquity Apollo appears Archilochus Aristophanes Aristotle Athenians Athens Attic beautiful belongs called celebrated chap character choral chorus comedy comic composed connected connexion contest dances Dionysus dithyramb Dorians Doric drama elegy epic epic poetry Euripides expression extant feelings festivals Fragm fragments gods Gorgias Greece Greek Hence Herodotus heroes Hesiod Homer hymns iambic ideas Iliad Ionians Ionic Isocrates jEschylus language later lyric poetry Lysias manner mentioned metre mind mythical nations nature odes Olymp orators Orestes origin Orphic passage passion peculiar Peloponnesian Peloponnesian war Pericles period Persian Persian war persons philosophers piece Pindar play Plutarch poems poet poetical political probably produced remarkable represented rhetoric satyric scene Simonides songs Sophists Sophocles Spartans speeches spirit stage Stesichorus strophes style sung Terpander Thebes Theogony thought Thucyd Thucydides tion tone tragedians tragedy tragic trochaic verses victory whole worship Zeus
Page 232 - All the Greek religious poetry treating of death and the world beyond the grave refers to the deities whose influence was supposed to be exercised in the dark region at the centre of the earth, and who were thought to have little connexion with the political and social relations of human life.
Page 296 - This satyric drama was not a comedy, but (as an ancient author aptly describes it) a playful tragedy. § Its subjects were taken from the same class of adventures of Bacchus and the heroes, as tragedy; but they were so treated in connexion with rude objects of outward nature, that the presence and participation of rustic, * fTftlTtll' f According to the verse : ' I :-,/';.•••: /tu aari>.iui Z
Page 246 - Fire lives the death of earth, and air lives the death of fire ; water lives the death of air, earth that of water.
Page 223 - Or it might be deferred until after the victor's solemn return to his native city, where it was sometimes repeated, in following years, in commemoration of his success. A celebration of this kind always had a religious character, it often began with a procession to an altar or temple, in the place of the games or in the native city ; a sacrifice, followed by a banquet, was then offered at the temple, or in the house of the victor ; and the whole solemnity concluded with the merry and boisterous revel...
Page 117 - Miiller, quoting a fragment of Mimnermus's elegy ' Nanno,' says that he was one of the colonists of Smyrna who came from Colophon, and whose ancestors at a still earlier period came from the Nelean Pylos. To the reduction of Smyrna to Halyattes, he ascribes the melancholy character of his poems.
Page 19 - Thammuz came next behind, Whose annual wound in Lebanon allured The Syrian damsels to lament his fate In amorous ditties, all a summer's day ; While smooth Adonis from his native rock Ran purple to the sea, supposed with blood Of Thammuz yearly wounded...
Page 264 - I write these things as they seem to me to be true ; for the stories of the Greeks are many and ridiculous, as it seems to me.
Page 467 - The formation of an artificial prose style is due entirely to the Sophists, and although they did not at first proceed according to a right method, they may be considered as having laid a foundation for the polished diction of Plato and Demosthenes.
Page 300 - Bacchic festivals, were an indispensable accompaniment to tragedy. They not only concealed the individual features of well-known actors, and enabled the spectators entirely to forget the performer in his part, but gave to his whole aspect that ideal character which the tragedy of antiquity demanded.