What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
according action actors AEschylus ancient appears Aristophanes Athenians Athens beautiful beginning belongs brought called cause celebrated character chorus comedy common composed connected connexion considered consisted dance death described developed distinguished drama early entirely epic especially Euripides example existence expression feelings festival followed fragments give gods Greece Greek hand Hence Herodotus heroes Hesiod Homer human hymns ideas Iliad interest introduced Ionians Italy kind king known language later lived lyric manner means mentioned mind nature object odes Olymp origin particular passage period Persian persons piece Pindar play poems poet poetical poetry political probably produced race reference regard relation remarkable represented respect says seems songs Sophocles speeches spirit stage style things thought tion tone tradition tragedy tragic trochaic verses whole worship writers Zeus
Page 230 - All the Greek religious poetry treating of death and the world beyond the grave refers to the deities whose influence was supposed to be exercised in the dark region at the centre of the earth, and who were thought to have little connexion with the political and social relations of human life.
Page 294 - This satyric drama was not a comedy, but (as an ancient author aptly describes it) a playful tragedy. § Its subjects were taken from the same class of adventures of Bacchus and the heroes, as tragedy; but they were so treated in connexion with rude objects of outward nature, that the presence and participation of rustic, * fTftlTtll' f According to the verse : ' I :-,/';.•••: /tu aari>.iui Z
Page 244 - Fire lives the death of earth, and air lives the death of fire ; water lives the death of air, earth that of water.
Page 221 - Or it might be deferred until after the victor's solemn return to his native city, where it was sometimes repeated, in following years, in commemoration of his success. A celebration of this kind always had a religious character, it often began with a procession to an altar or temple, in the place of the games or in the native city ; a sacrifice, followed by a banquet, was then offered at the temple, or in the house of the victor ; and the whole solemnity concluded with the merry and boisterous revel...
Page 115 - Miiller, quoting a fragment of Mimnermus's elegy ' Nanno,' says that he was one of the colonists of Smyrna who came from Colophon, and whose ancestors at a still earlier period came from the Nelean Pylos. To the reduction of Smyrna to Halyattes, he ascribes the melancholy character of his poems.
Page 17 - Thammuz came next behind, Whose annual wound in Lebanon allured The Syrian damsels to lament his fate In amorous ditties, all a summer's day ; While smooth Adonis from his native rock Ran purple to the sea, supposed with blood Of Thammuz yearly wounded...
Page 262 - I write these things as they seem to me to be true ; for the stories of the Greeks are many and ridiculous, as it seems to me.
Page 465 - The formation of an artificial prose style is due entirely to the Sophists, and although they did not at first proceed according to a right method, they may be considered as having laid a foundation for the polished diction of Plato and Demosthenes.
Page 298 - Bacchic festivals, were an indispensable accompaniment to tragedy. They not only concealed the individual features of well-known actors, and enabled the spectators entirely to forget the performer in his part, but gave to his whole aspect that ideal character which the tragedy of antiquity demanded.