Auto-poetica: Representations of the Creative Process in Nineteenth-century British and American FictionDarby Lewes The nineteenth-century Kunstlerroman self-consciously addresses the devices of fiction and in doing so, tends toward irony and self-reflection, and prefigures postmodernism. A work of art written about an artist creating a work of art is, in a sense, a novel in which the author is a character. The essays in this collection examine the work of major nineteenth century authors that attempted to merge fiction and reality into a unified whole. These novels paved the way for postmodernists who would use the artist-novel to self-conciously focus on the genre's particular conventions, to parody those conventions in order to accentuate the work's fictionality, and to expose the oppositions between fiction and reality. This collection thus reveals not only material concerns, but the underlying anxieties, drives, and joys, which are so profoundly linked to the creative process." |
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Page 77
... social limitations imposed on nineteenth century American women , and to her active participation in the suffragist cause . Accordingly , Alcott's awareness of the social constraints imposed on women's life choices and her liter- ary ...
... social limitations imposed on nineteenth century American women , and to her active participation in the suffragist cause . Accordingly , Alcott's awareness of the social constraints imposed on women's life choices and her liter- ary ...
Page 102
... social influence fails to extend beyond their four walls . Domestic control does not automatically bring social significance . Emma's importance is what she feels is at stake in her decision to marry or not ; Emma knows that marriage ...
... social influence fails to extend beyond their four walls . Domestic control does not automatically bring social significance . Emma's importance is what she feels is at stake in her decision to marry or not ; Emma knows that marriage ...
Page 106
... social power can be increased by it . Emma does not become convinced of this truth until Mrs. Elton so blatantly demonstrates it at the various social events where they meet , but the mere knowledge that Mrs. Elton is now part of ...
... social power can be increased by it . Emma does not become convinced of this truth until Mrs. Elton so blatantly demonstrates it at the various social events where they meet , but the mere knowledge that Mrs. Elton is now part of ...
Contents
Herman Melville and the Crafting of Pierre | 3 |
Making Selling and Living the Fictitious | 15 |
The Business of Storytelling in Nathaniel | 39 |
Copyright | |
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aesthetic Alcott amateur American argues artist heroine Autobiography Avis Avis's becomes Bohemian Braddon's Brontë career characters Charlotte Brontë Cornelia create creative process critics cultural Daniel Deronda Democratic Review depicts desire Dimmesdale Doctor's Wife domestic Eliot Emma Emma's essay experience father feeling female artist feminine feminist Frank Churchill gender girl Harriet Hawthorne Hawthorne's Herman Melville Hester Highbury imagination inspiration Isabel Knightley Künstlerroman Lady Legends literary literature Little Women lives Louisa May Alcott Lyall male Marius Marius the Epicurean marriage marry masculine Melville Melville's Moby-Dick moral muse narrative narrator nineteenth-century novel novelist painting paper fictions Pater's Phelps Pierre Pierre's plot poet poetic poetry portrait Province House Psyche Psyche's Art published readers reading representation role sensation sensation fiction sensation novel Showalter Sigismund Smith social sonnet spasmodic spasmodic poet speaker speculation Sphinx spiritual story Stransom suggests Tiffany tion Victorian woman artist women writers writing young