Auto-poetica: Representations of the Creative Process in Nineteenth-century British and American FictionDarby Lewes The nineteenth-century Kunstlerroman self-consciously addresses the devices of fiction and in doing so, tends toward irony and self-reflection, and prefigures postmodernism. A work of art written about an artist creating a work of art is, in a sense, a novel in which the author is a character. The essays in this collection examine the work of major nineteenth century authors that attempted to merge fiction and reality into a unified whole. These novels paved the way for postmodernists who would use the artist-novel to self-conciously focus on the genre's particular conventions, to parody those conventions in order to accentuate the work's fictionality, and to expose the oppositions between fiction and reality. This collection thus reveals not only material concerns, but the underlying anxieties, drives, and joys, which are so profoundly linked to the creative process." |
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Page 24
... poet's single - minded investment in autobiographical protago- nists that are necessarily also spasmodic poets ... poet as an " inbred theme " ( " Glandular " 431 , 437 ) , arguing that " [ i ] t was the saturation of the poetic product ...
... poet's single - minded investment in autobiographical protago- nists that are necessarily also spasmodic poets ... poet as an " inbred theme " ( " Glandular " 431 , 437 ) , arguing that " [ i ] t was the saturation of the poetic product ...
Page 93
... poet - muse relationship by collapsing the distance that separates them . Nowhere is Smith's re - evaluation of the poet - muse / self - other relationship more problematic than in Sonnet 84 , " To the Muse " ( added to the second ...
... poet - muse relationship by collapsing the distance that separates them . Nowhere is Smith's re - evaluation of the poet - muse / self - other relationship more problematic than in Sonnet 84 , " To the Muse " ( added to the second ...
Page 98
... poet and his Petrarchan muse with the death of Lucy , whose death makes way for the rebirth of the new muse , nature , as a feminized landscape where the masculine intellect di- rects the poet's " spontaneous overflow . " His conception ...
... poet and his Petrarchan muse with the death of Lucy , whose death makes way for the rebirth of the new muse , nature , as a feminized landscape where the masculine intellect di- rects the poet's " spontaneous overflow . " His conception ...
Contents
Herman Melville and the Crafting of Pierre | 3 |
Making Selling and Living the Fictitious | 15 |
The Business of Storytelling in Nathaniel | 39 |
Copyright | |
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