Auto-poetica: Representations of the Creative Process in Nineteenth-century British and American FictionDarby Lewes The nineteenth-century Kunstlerroman self-consciously addresses the devices of fiction and in doing so, tends toward irony and self-reflection, and prefigures postmodernism. A work of art written about an artist creating a work of art is, in a sense, a novel in which the author is a character. The essays in this collection examine the work of major nineteenth century authors that attempted to merge fiction and reality into a unified whole. These novels paved the way for postmodernists who would use the artist-novel to self-conciously focus on the genre's particular conventions, to parody those conventions in order to accentuate the work's fictionality, and to expose the oppositions between fiction and reality. This collection thus reveals not only material concerns, but the underlying anxieties, drives, and joys, which are so profoundly linked to the creative process." |
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Page 182
... aesthetic view of life , the various strains of their thought being impressed upon , and subsumed within , the textural character of Pater's protagonist . Benson , noticing this ( auto ) biographical sensibility in the author , remarks ...
... aesthetic view of life , the various strains of their thought being impressed upon , and subsumed within , the textural character of Pater's protagonist . Benson , noticing this ( auto ) biographical sensibility in the author , remarks ...
Page 183
... aesthetic solipsism is dwelt upon by Marius , and the lack of sympathy with the external world is pondered in detail in the text ; of Epicure- ans , Pater writes : [ I ] f now and then they . had a vision , almost ' beatific ' , of ...
... aesthetic solipsism is dwelt upon by Marius , and the lack of sympathy with the external world is pondered in detail in the text ; of Epicure- ans , Pater writes : [ I ] f now and then they . had a vision , almost ' beatific ' , of ...
Page 185
... aesthetic temperament . Pater thus presents , through his characterization of Marius and the second century version of Christianity , a reciprocity which enables a view of human sym- pathy that offers an ethical component to Marius ...
... aesthetic temperament . Pater thus presents , through his characterization of Marius and the second century version of Christianity , a reciprocity which enables a view of human sym- pathy that offers an ethical component to Marius ...
Contents
Herman Melville and the Crafting of Pierre | 3 |
Making Selling and Living the Fictitious | 15 |
The Business of Storytelling in Nathaniel | 39 |
Copyright | |
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