Auto-poetica: Representations of the Creative Process in Nineteenth-century British and American FictionDarby Lewes The nineteenth-century Kunstlerroman self-consciously addresses the devices of fiction and in doing so, tends toward irony and self-reflection, and prefigures postmodernism. A work of art written about an artist creating a work of art is, in a sense, a novel in which the author is a character. The essays in this collection examine the work of major nineteenth century authors that attempted to merge fiction and reality into a unified whole. These novels paved the way for postmodernists who would use the artist-novel to self-conciously focus on the genre's particular conventions, to parody those conventions in order to accentuate the work's fictionality, and to expose the oppositions between fiction and reality. This collection thus reveals not only material concerns, but the underlying anxieties, drives, and joys, which are so profoundly linked to the creative process." |
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Page 77
... Showalter as a physical metaphor to Alcott's " double literary life ” ( ix ) . The argument regarding Alcott's creative ambidexterity implicitly assumes that as a writer Alcott had a “ right - handed , " false , socially tamed identity ...
... Showalter as a physical metaphor to Alcott's " double literary life ” ( ix ) . The argument regarding Alcott's creative ambidexterity implicitly assumes that as a writer Alcott had a “ right - handed , " false , socially tamed identity ...
Page 82
... Showalter argues that American women's writing has to be explored within a multiple , cross - cultural context . Consequently , Showalter suggests two images that convey the hybridity of American women writers : marriage and patchwork ...
... Showalter argues that American women's writing has to be explored within a multiple , cross - cultural context . Consequently , Showalter suggests two images that convey the hybridity of American women writers : marriage and patchwork ...
Page 83
... Showalter implicitly suggests that Little Women , the American woman artist myth , is revised by its female readers , thus becoming a precursor for later generations of women artists , her analysis of Little Women fails to observe that ...
... Showalter implicitly suggests that Little Women , the American woman artist myth , is revised by its female readers , thus becoming a precursor for later generations of women artists , her analysis of Little Women fails to observe that ...
Contents
Herman Melville and the Crafting of Pierre | 3 |
Making Selling and Living the Fictitious | 15 |
The Business of Storytelling in Nathaniel | 39 |
Copyright | |
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