Auto-poetica: Representations of the Creative Process in Nineteenth-century British and American FictionDarby Lewes The nineteenth-century Kunstlerroman self-consciously addresses the devices of fiction and in doing so, tends toward irony and self-reflection, and prefigures postmodernism. A work of art written about an artist creating a work of art is, in a sense, a novel in which the author is a character. The essays in this collection examine the work of major nineteenth century authors that attempted to merge fiction and reality into a unified whole. These novels paved the way for postmodernists who would use the artist-novel to self-conciously focus on the genre's particular conventions, to parody those conventions in order to accentuate the work's fictionality, and to expose the oppositions between fiction and reality. This collection thus reveals not only material concerns, but the underlying anxieties, drives, and joys, which are so profoundly linked to the creative process." |
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Page 177
... Marius the Epicurean , Walter Pater's single completed novel , is to confront a seamless composition of interwoven strands that run counter to a linear , developmental style . It is true that the epony- mous hero is born , grows through ...
... Marius the Epicurean , Walter Pater's single completed novel , is to confront a seamless composition of interwoven strands that run counter to a linear , developmental style . It is true that the epony- mous hero is born , grows through ...
Page 183
... Marius will finally feel himself to have achieved a means of sympathetic Epicurean- ism by the novel's conclusion in his appreciation of second century Christianity . But it should be noted that Pater still retains aesthetic pleasure as ...
... Marius will finally feel himself to have achieved a means of sympathetic Epicurean- ism by the novel's conclusion in his appreciation of second century Christianity . But it should be noted that Pater still retains aesthetic pleasure as ...
Page 185
... Marius the Epicurean does not supersede his view of the subject in the " Conclusion " to Studies in the History of the Renaissance . It retains the individual personality as the pattern through which Life , as experienced , is filtered ...
... Marius the Epicurean does not supersede his view of the subject in the " Conclusion " to Studies in the History of the Renaissance . It retains the individual personality as the pattern through which Life , as experienced , is filtered ...
Contents
Herman Melville and the Crafting of Pierre | 3 |
Making Selling and Living the Fictitious | 15 |
The Business of Storytelling in Nathaniel | 39 |
Copyright | |
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