Auto-poetica: Representations of the Creative Process in Nineteenth-century British and American FictionDarby Lewes The nineteenth-century Kunstlerroman self-consciously addresses the devices of fiction and in doing so, tends toward irony and self-reflection, and prefigures postmodernism. A work of art written about an artist creating a work of art is, in a sense, a novel in which the author is a character. The essays in this collection examine the work of major nineteenth century authors that attempted to merge fiction and reality into a unified whole. These novels paved the way for postmodernists who would use the artist-novel to self-conciously focus on the genre's particular conventions, to parody those conventions in order to accentuate the work's fictionality, and to expose the oppositions between fiction and reality. This collection thus reveals not only material concerns, but the underlying anxieties, drives, and joys, which are so profoundly linked to the creative process." |
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Page 31
... Charley Tudor , the youngest of the eponymous three clerks , ultimately is the one who succeeds to the desirable suburban cottage ( which the end of the novel spuriously and rather incongruously turns into a sizable country- house ) ...
... Charley Tudor , the youngest of the eponymous three clerks , ultimately is the one who succeeds to the desirable suburban cottage ( which the end of the novel spuriously and rather incongruously turns into a sizable country- house ) ...
Page 32
... Charley Tudor , in spite of his wretched , idle , vagabond mode of life , was no fool ; indeed , that there was that tal- ent within him which , if turned to good account , might perhaps redeem him from ruin and set him on his legs ...
... Charley Tudor , in spite of his wretched , idle , vagabond mode of life , was no fool ; indeed , that there was that tal- ent within him which , if turned to good account , might perhaps redeem him from ruin and set him on his legs ...
Page 33
... Charley's reception of a spoof review of his latest work , " The World's Last Wonder ” ( 548 ) . While it shows how far Charley has come by having removed himself from his editor's taste in " literary salads ” ( 552 ) and hence from ...
... Charley's reception of a spoof review of his latest work , " The World's Last Wonder ” ( 548 ) . While it shows how far Charley has come by having removed himself from his editor's taste in " literary salads ” ( 552 ) and hence from ...
Contents
Herman Melville and the Crafting of Pierre | 3 |
Making Selling and Living the Fictitious | 15 |
The Business of Storytelling in Nathaniel | 39 |
Copyright | |
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