Woman and Gender in Renaissance Tragedy: Study of King Lear, Othello the Duchess of Malfi and the White Devil |
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Page 4
... cultural materialist . For a definition of this term see Jonathan Dollimore and Alan Sinfield ( eds ) Political Shakespeare ( Ithaca : Cornell University Press , 1985 ) p . 2 ; and Judith Newton and Deborah Rosenfelt ( eds ) Feminist ...
... cultural materialist . For a definition of this term see Jonathan Dollimore and Alan Sinfield ( eds ) Political Shakespeare ( Ithaca : Cornell University Press , 1985 ) p . 2 ; and Judith Newton and Deborah Rosenfelt ( eds ) Feminist ...
Page 28
... cultural representation more generally . In the specific context of Jacobean England , tragedy can be seen as both influential and instrumental in the production and dissemination of gender ideologies . 4. For an account of providence ...
... cultural representation more generally . In the specific context of Jacobean England , tragedy can be seen as both influential and instrumental in the production and dissemination of gender ideologies . 4. For an account of providence ...
Page 41
... cultural representation of that subordination in tragedy , we cannot hedge about the historical fact that women were ( and for that matter , remain ) the diverse victims of multiple patriarchal strategies . We must also recognise ...
... cultural representation of that subordination in tragedy , we cannot hedge about the historical fact that women were ( and for that matter , remain ) the diverse victims of multiple patriarchal strategies . We must also recognise ...
Contents
Introduction | 1 |
The Centrality of Gender | 7 |
Feminism and Tragedy | 9 |
Copyright | |
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analogy appears argues authority becomes Belsey body Bosola category of woman central concept constitutes construction contradictions Cordelia course court criticism crucial cultural curse daughter death defined Desdemona desire difference differentiation discourse dominant dramatic Duchess of Malfi English example excess fact father fear female characters feminine feminist Flamineo Fool function gender Goneril hand head human Iago ideology important John language less London malcontent male marriage masculinity means misogynistic misogyny mother namely Nancy Vickers nature never Notes notion object once opposition Othello particularly patriarchal phallic phallus play political position problem produced Quoted regarded relation remains Renaissance seen sense serves sexual Shakespeare silence Similarly social speak speech status structure sword symbolic thou tragedy tragic transgression undermines University Press usually virtue Vittoria voice White Devil woman women York