Woman and Gender in Renaissance Tragedy: Study of King Lear, Othello the Duchess of Malfi and the White Devil |
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Page 22
... central to post- Reformation religious unity and to the unity of Church and State . Launcelot Andrewes , for example , stressed the similarity of the social order to the ecclesiastical one : ... God made marriage an holy institution ...
... central to post- Reformation religious unity and to the unity of Church and State . Launcelot Andrewes , for example , stressed the similarity of the social order to the ecclesiastical one : ... God made marriage an holy institution ...
Page 59
... central questions in the debate on carnival since Bakhtin's work on Rabelais has been whether the licensed disruption of the social order in the controlled chaos of carnival and comedy constitutes a real threat to it.55 It is , of ...
... central questions in the debate on carnival since Bakhtin's work on Rabelais has been whether the licensed disruption of the social order in the controlled chaos of carnival and comedy constitutes a real threat to it.55 It is , of ...
Page 67
... central female tragic character , which is in part a function of the dramatic structure of tragedy . A polarised conception of woman operates not only within the characterisation of central individual female character but also by ...
... central female tragic character , which is in part a function of the dramatic structure of tragedy . A polarised conception of woman operates not only within the characterisation of central individual female character but also by ...
Contents
Introduction | 1 |
The Centrality of Gender | 7 |
Feminism and Tragedy | 9 |
Copyright | |
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analogy appears argues authority becomes Belsey body Bosola category of woman central concept constitutes construction contradictions Cordelia course court criticism crucial cultural curse daughter death defined Desdemona desire difference differentiation discourse dominant dramatic Duchess of Malfi English example excess fact father fear female characters feminine feminist Flamineo Fool function gender Goneril hand head human Iago ideology important John language less London malcontent male marriage masculinity means misogynistic misogyny mother namely Nancy Vickers nature never Notes notion object once opposition Othello particularly patriarchal phallic phallus play political position problem produced Quoted regarded relation remains Renaissance seen sense serves sexual Shakespeare silence Similarly social speak speech status structure sword symbolic thou tragedy tragic transgression undermines University Press usually virtue Vittoria voice White Devil woman women York