Woman and Gender in Renaissance Tragedy: Study of King Lear, Othello the Duchess of Malfi and the White Devil |
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Page 69
... ( London : Adam Islip , 1579 ) esp . pp . 210-330 . 15. See Thomas B. Stroup , Microcosmos : The Shape of the ... ( London : Oxford University Press , 1969 ) . 31. Jean Calvin , Institutes , trans . Henry Beveridge ( London : Clarke , 1949 ) ...
... ( London : Adam Islip , 1579 ) esp . pp . 210-330 . 15. See Thomas B. Stroup , Microcosmos : The Shape of the ... ( London : Oxford University Press , 1969 ) . 31. Jean Calvin , Institutes , trans . Henry Beveridge ( London : Clarke , 1949 ) ...
Page 174
... ( London : Thomas East , 1581 ) . Boklund , Gunnar , The Sources of " The White Devil ' ( New York : Haskell House , 1966 ) . Bono , Barbara , ' Mixed gender , mixed genre in Shakespeare's As You Like Iť , in Renaissance Genres : Essays ...
... ( London : Thomas East , 1581 ) . Boklund , Gunnar , The Sources of " The White Devil ' ( New York : Haskell House , 1966 ) . Bono , Barbara , ' Mixed gender , mixed genre in Shakespeare's As You Like Iť , in Renaissance Genres : Essays ...
Page 175
... ( London : Routledge and Kegan Paul , 1966 ) . Drakakis , John ( ed . ) Alternative Shakespeares ( London : Methuen , 1985 ) . Draper , R. P. ( ed . ) Tragedy : Developments in Criticism ( London : Macmillan , 1980 ) . Dreher , Diane ...
... ( London : Routledge and Kegan Paul , 1966 ) . Drakakis , John ( ed . ) Alternative Shakespeares ( London : Methuen , 1985 ) . Draper , R. P. ( ed . ) Tragedy : Developments in Criticism ( London : Macmillan , 1980 ) . Dreher , Diane ...
Contents
Introduction | 1 |
The Centrality of Gender | 7 |
Feminism and Tragedy | 9 |
Copyright | |
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analogy appears argues authority becomes Belsey body Bosola category of woman central concept constitutes construction contradictions Cordelia course court criticism crucial cultural curse daughter death defined Desdemona desire difference differentiation discourse dominant dramatic Duchess of Malfi English example excess fact father fear female characters feminine feminist Flamineo Fool function gender Goneril hand head human Iago ideology important John language less London malcontent male marriage masculinity means misogynistic misogyny mother namely Nancy Vickers nature never Notes notion object once opposition Othello particularly patriarchal phallic phallus play political position problem produced Quoted regarded relation remains Renaissance seen sense serves sexual Shakespeare silence Similarly social speak speech status structure sword symbolic thou tragedy tragic transgression undermines University Press usually virtue Vittoria voice White Devil woman women York