On Shakespeare's knowledge and use of the Bible |
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Page 5
... plays, thirty-six in number, which are generally allowed to be genuine; though not more than fourteen (or'sixteen, including Titus Andrsnicus and Pericles Prince of fire) had been published in his lifetime. And there seems no reason to ...
... plays, thirty-six in number, which are generally allowed to be genuine; though not more than fourteen (or'sixteen, including Titus Andrsnicus and Pericles Prince of fire) had been published in his lifetime. And there seems no reason to ...
Page 9
... plays, as determined by Mr. Malone, only two of them were written afler 161 I ; all the rest having been composed in the interval between that year and I 591. And the Bibles most commonly used during that period were either Parker's ...
... plays, as determined by Mr. Malone, only two of them were written afler 161 I ; all the rest having been composed in the interval between that year and I 591. And the Bibles most commonly used during that period were either Parker's ...
Page 17
... play, where Euphronius says to Cmsar :—Such as I am, I come from Antony: I was of late as petty to his ends, As is the mom dew on the myrtle leaf To bi: grand sea. Act Sc. 10. "' See also Exod. xxxvii. r7 5 Acts xii. IO 5 Rev. xxii. a ...
... play, where Euphronius says to Cmsar :—Such as I am, I come from Antony: I was of late as petty to his ends, As is the mom dew on the myrtle leaf To bi: grand sea. Act Sc. 10. "' See also Exod. xxxvii. r7 5 Acts xii. IO 5 Rev. xxii. a ...
Page 18
... brave vessel, Who had, no doubt, some noble creatures in her. And again in the same play, Act iii. Sc. 3 :— The elements ' Of when: your swords are tempered. There are two other peculiarities in the use of the I 8 Noticeahle Forms of ...
... brave vessel, Who had, no doubt, some noble creatures in her. And again in the same play, Act iii. Sc. 3 :— The elements ' Of when: your swords are tempered. There are two other peculiarities in the use of the I 8 Noticeahle Forms of ...
Page 24
... play in ; ' and in Romeo and 7am, Act i. Sc. 5, 'That fair, for which love groanedfiar.' So too, in Job xli. 19, 'Out of his mouth . . . sparks of fire leap ont.' Matt. vii. ' Cast out the mote out of thine own eye.' Exod. iii. 5, ' 24 ...
... play in ; ' and in Romeo and 7am, Act i. Sc. 5, 'That fair, for which love groanedfiar.' So too, in Job xli. 19, 'Out of his mouth . . . sparks of fire leap ont.' Matt. vii. ' Cast out the mote out of thine own eye.' Exod. iii. 5, ' 24 ...
Contents
3 | |
9 | |
32 | |
51 | |
Of Shakspearer Religious Principles and Sentiments | 100 |
0f Diligence Sobriety and Chastity 22 1 | 234 |
Of Humility Contentment and Resignation 2 4 2 | 242 |
0f Holy Scripture the Christian Ministry | 259 |
Of PoliticsPeace and War 2 76 | 287 |
derived from | 310 |
5 | 332 |
GENERAL INDEX | 357 |
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Common terms and phrases
Act Sc allude allusion Angels Antony Antony and Cleopatra battle of Agincourt Bible Bishop blessing blood Bowdler character Christian Cleopatra Clown Compare confirmed daughter death divine doth doubt Duke duty evil Exod father fear figure find fire first give Gloster God’s grace Hamlet hand hast hath heart heathen Heaven Henry IV Henry VIII Holy Scripture instance Isaiah Johnson King Henry VI King Henry VIII King Lear King Richard King Richard II less Lord Luke Malone manner Matt mean Measure for Measure mercy mind mouth murder night occurs omitted Othello passage Paul peace play poet poet’s Prayer Book Prince Prov Queen quoted reader reference reflection remarkable repentance Romeo says scene Sect sentiment Shak Shakspeare Shakspeare’s soul speak speare speech spirit Steevens teach testifies thee things thought Timon Timon of Athens truth unto Warburton wicked words