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Page xii
... INVENTION . BOOK IV . - INVENTION IN ITS ELEMENTS . PAGE 356-383 358 364 365 370 375 379 - Chapter XII . Approaches to Invention . I. The Sense of Literary Form II . The Support from Self - Culture The Spirit of Observation Chapter XIII ...
... INVENTION . BOOK IV . - INVENTION IN ITS ELEMENTS . PAGE 356-383 358 364 365 370 375 379 - Chapter XII . Approaches to Invention . I. The Sense of Literary Form II . The Support from Self - Culture The Spirit of Observation Chapter XIII ...
Page 9
... Invention . - The question WHAT , which underlies the art of invention , must be held to suggest more than the mere find- ing of subject - matter , which of course must be left to the writer himself . No text - book or system of study ...
... Invention . - The question WHAT , which underlies the art of invention , must be held to suggest more than the mere find- ing of subject - matter , which of course must be left to the writer himself . No text - book or system of study ...
Page 13
... invention : that is , determining in what form of discourse he will work , and devising a framework of thought . The case is different with a student setting out to attain proficiency in the art . must begin with practice in details of ...
... invention : that is , determining in what form of discourse he will work , and devising a framework of thought . The case is different with a student setting out to attain proficiency in the art . must begin with practice in details of ...
Page 14
... invention . If this distinction were made merely to justify the plan of a text - book , it would be of little consequence . It is made rather because the claim of style , with all its demands on the writer , is logically first and ...
... invention . If this distinction were made merely to justify the plan of a text - book , it would be of little consequence . It is made rather because the claim of style , with all its demands on the writer , is logically first and ...
Page 16
... , between style , which centres in manner , and invention , which deals with matter , has been given above , pp . 8 , 9 . a large trade in madder and grain , and manufactures 16 Nature and Bearings of Style Definition of Style.
... , between style , which centres in manner , and invention , which deals with matter , has been given above , pp . 8 , 9 . a large trade in madder and grain , and manufactures 16 Nature and Bearings of Style Definition of Style.
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Common terms and phrases
adjective adverb alliteration amphibrach anapestic antecedent antithesis argument assertion beauty become blank verse cæsura called character clause clear coloring composition conjunctions connotation coördinate definition diction discourse distinction EARLE effect element emotion employed English Prose epithet essay euphony EXAMPLES exposition expression fact feeling figure following sentence give grammatical iambic iambus idea idiom illustrate imagination important invention kind language less literary literature MATTHEW ARNOLD means ment merely metre metrical mind mood movement musical narrative natural NOTE noun object occasion paragraph passage pause phrasal phrase poetic poetic diction poetry present principle quoted reader reference relation relative relative clause rhetorical rhyme rhythm sense sound speech spondee stanza STEVENSON story stress style subordinate suggestion syllables syllogism tence tendency Tennyson things thought tion trimeter trochaic trochee truth verb verse W. D. HOWELLS wherein whole words writer
Popular passages
Page 186 - Our little systems have their day; They have their day and cease to be; They are but broken lights of thee, And thou, O Lord, art more than they.
Page 304 - Never, never more, shall we behold that generous loyalty to rank and sex, that proud submission, that dignified obedience, that subordination of the heart which kept alive, even in servitude itself, the spirit of an exalted freedom.
Page 304 - And when the barbarians saw the venomous beast hang on his hand, they said 'among themselves, No doubt this man is a murderer, whom, though he hath escaped the sea,' yet vengeance suffereth not to live.
Page 26 - I was confirmed in this opinion, that he who would not be frustrate of his hope to write well hereafter in laudable things, ought himself to be a true poem...
Page 185 - I sent my Soul through the Invisible, Some letter of that After-life to spell: And by and by my Soul return'd to me, And answer'd "I Myself am Heav'n and Hell:
Page 112 - She dwelt among the untrodden ways Beside the springs of Dove, A Maid whom there were none to praise And very few to love : A violet by a mossy stone Half hidden from the eye! Fair as a star, when only one Is shining in the sky. She lived unknown, and few could know When Lucy ceased to be; But she is in her grave, and, oh, The difference to me!
Page 264 - But now farewell. I am going a long way With these thou seest — if indeed I go — (For all my mind is clouded with a doubt) To the island-valley of...
Page 653 - If you have tears, prepare to shed them now. You all do know this mantle : I remember The first time ever Caesar put it on ; 'Twas on a summer's evening, in his tent ; That day he overcame the Nervii : — Look ! in this place, ran Cassius...
Page 642 - The clear conception, outrunning the deductions of logic, the high purpose, the firm resolve, the dauntless spirit, speaking on the tongue, beaming from the eye, informing every feature, and urging the whole man onward, right onward to his object — this, this is eloquence; or rather it is something greater and higher than all eloquence, it is action, noble, sublime, godlike action.
Page 501 - I have of late — but wherefore I know not — lost all my mirth, forgone all custom of exercises ; and indeed it goes so heavily with my disposition that this goodly frame, the earth, seems to me a sterile promontory ; this most excellent canopy, the air, look you, this brave o'erhanging firmament, this majestical roof fretted with golden fire, why, it appears no other thing to me than a foul and pestilent congregation of vapours.