Shakespeare's Imagery and what it Tells Us |
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Page 110
... vivid and effective use of it is in Macbeth's despairing cry at the end : They have tied me to a stake ; I cannot fly , But bear - like I must fight the course . Gloucester , when hard driven , caught , bound and baited , just before ...
... vivid and effective use of it is in Macbeth's despairing cry at the end : They have tied me to a stake ; I cannot fly , But bear - like I must fight the course . Gloucester , when hard driven , caught , bound and baited , just before ...
Page 288
... vivid , quaint , or grotesque . It is this which is the most noticeable feature about the quality of the images as a whole . Often these latter ones are poetical as well , from sheer force and brilliance , as in Isabella's outburst ...
... vivid , quaint , or grotesque . It is this which is the most noticeable feature about the quality of the images as a whole . Often these latter ones are poetical as well , from sheer force and brilliance , as in Isabella's outburst ...
Page 289
... vivid use of concrete verbs and adjectives applied to abstrac- tions : Hooking both right and wrong to the appetite , To follow as it draws ; Lent him our terror , dress'd him with our love ; a purpose More grave and wrinkled than the ...
... vivid use of concrete verbs and adjectives applied to abstrac- tions : Hooking both right and wrong to the appetite , To follow as it draws ; Lent him our terror , dress'd him with our love ; a purpose More grave and wrinkled than the ...
Contents
The Aim and Method explained | 3 |
Shakespeares Imagery compared with | 12 |
Imagery of Shakespeare and other | 30 |
10 other sections not shown
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Common terms and phrases
action All's animals Antony Antony and Cleopatra Bacon beauty Ben Jonson Berkeley Castle bird body character characteristic chiefly Cleopatra colour Coriolanus cries Cymbeline death declares describes disease dogs doth dramatists drawn Elizabethan emotion emphasised evil eyes fear feeling fire foul garden Gloucester Hamlet hath heaven Henry Henry VI Honest Whore horror human idea imagery imagination Imogen interest King John King Lear large number light Love's Love's Labour's Lost lovers Macbeth Marlowe metaphor movement murder nature night noticed number of images Othello passion personifications picture play prisoners realise Richard Richard II river Romeo and Juliet running says scene sense Shake Shakespeare Shakespeare's mind sickness similes smell soul sound speare's sport stars sweet swift symbol tells things thou thought Timon tion touches tragedy tree Troilus and Cressida vivid weeds whole wind words