Shakespeare's Imagery and what it Tells Us |
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Page 195
... tion of these ideas in Shakespeare's mind that it does not matter which of these items he starts with - dog or sugar or melting - it almost invariably , when used in this particular application , gives rise to the whole series . The ...
... tion of these ideas in Shakespeare's mind that it does not matter which of these items he starts with - dog or sugar or melting - it almost invariably , when used in this particular application , gives rise to the whole series . The ...
Page 379
... tion and reading , and partake more of grotesqueness and ribaldry than in the first part . Witty they always are , for else Falstaff would no longer be Falstaff , but I believe that , in the course of the two plays , Shakespeare ...
... tion and reading , and partake more of grotesqueness and ribaldry than in the first part . Witty they always are , for else Falstaff would no longer be Falstaff , but I believe that , in the course of the two plays , Shakespeare ...
Page 383
... tion has profoundly impressed him , and all the force of the peculiar emotional effect of its heavy saddening reiteration is summed up in the adjective ' sullen ' ( adopted later by Milton for the curfew ) , by which he thrice describes ...
... tion has profoundly impressed him , and all the force of the peculiar emotional effect of its heavy saddening reiteration is summed up in the adjective ' sullen ' ( adopted later by Milton for the curfew ) , by which he thrice describes ...
Contents
The Aim and Method explained | 3 |
Shakespeares Imagery compared with | 12 |
Imagery of Shakespeare and other | 30 |
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Common terms and phrases
action All's animals Antony Antony and Cleopatra Bacon beauty Ben Jonson Berkeley Castle bird body character characteristic chiefly Cleopatra colour Coriolanus cries Cymbeline death declares describes disease dogs doth dramatists drawn Elizabethan emotion emphasised evil eyes fear feeling fire foul garden Gloucester Hamlet hath heaven Henry Henry VI Honest Whore horror human idea imagery imagination Imogen interest King John King Lear large number light Love's Love's Labour's Lost lovers Macbeth Marlowe metaphor movement murder nature night noticed number of images Othello passion personifications picture play prisoners realise Richard Richard II river Romeo and Juliet running says scene sense Shake Shakespeare Shakespeare's mind sickness similes smell soul sound speare's sport stars sweet swift symbol tells things thou thought Timon tion touches tragedy tree Troilus and Cressida vivid weeds whole wind words