Theatre of the Greeks ... information relative to the rise, progress, and exhibition of the drama; together with an account of dramatic writers from Thespis to Menander: to which is added, a chronology and an appendix [compiled by P.W. Buckham].1827 |
From inside the book
Results 1-5 of 81
Page 8
... lived with Hiero of Syracuse § ; and the author of the Arundel Marble places them both at Olymp . LXXVII , 1 , when Chares was Archon at Athens , which is LXXVIII years after Phalaris ' death . It is true , Epicharmus lived to a very ...
... lived with Hiero of Syracuse § ; and the author of the Arundel Marble places them both at Olymp . LXXVII , 1 , when Chares was Archon at Athens , which is LXXVIII years after Phalaris ' death . It is true , Epicharmus lived to a very ...
Page 11
... lived many hundreds of years after the thing that he speaks of ; so that it ought to pass for no more than a conjec- ture of his own . And again , I would have it observed , that these five Iambics are spoken in the person of Susarion ...
... lived many hundreds of years after the thing that he speaks of ; so that it ought to pass for no more than a conjec- ture of his own . And again , I would have it observed , that these five Iambics are spoken in the person of Susarion ...
Page 24
... lived , or else they had been below the notice of Virgil and Horace but posterity gave them their due ; for that will flatter no man's quality , nor follow the clamour of a party . But to re- turn to Xenocles : -There is a fifth Play of ...
... lived , or else they had been below the notice of Virgil and Horace but posterity gave them their due ; for that will flatter no man's quality , nor follow the clamour of a party . But to re- turn to Xenocles : -There is a fifth Play of ...
Page 52
... lived cxiv years before the date of this Play ) ὁ ὀρχηστικός , the common Dancing - master at Athens , is meant here by Aristo- phanes ? So that the Scholiast and Suidas may take their Harper again for their own diversion ; for it was a ...
... lived cxiv years before the date of this Play ) ὁ ὀρχηστικός , the common Dancing - master at Athens , is meant here by Aristo- phanes ? So that the Scholiast and Suidas may take their Harper again for their own diversion ; for it was a ...
Page 53
... lived cxiv years before the date of this Play ) ὁ ὀρχηστικός , the common Dancing - master at Athens , is meant here by Aristo- phanes ? So that the Scholiast and Suidas may take their Harper again for their own diversion ; for it was a ...
... lived cxiv years before the date of this Play ) ὁ ὀρχηστικός , the common Dancing - master at Athens , is meant here by Aristo- phanes ? So that the Scholiast and Suidas may take their Harper again for their own diversion ; for it was a ...
Common terms and phrases
Acharn Acharnians actor ancient Antiphanes appears Archon Arist Aristoph Aristophanes Aristotle Arundel Marble Athenæus Athenian Athens Author Bacchus called character chorus Comedian comic poet comic writers composed contemporary Cratinus dancing Dionysia dramatist Epicharmus Epigram Eschylus Euripides exhibited extant fable fragment Greek Heraclides honour imitation invented Iophon manner means Menander Middle Comedy Old Comedy Olymp Orestes parody passage Phalaris Phrynichus piece Plato plays Plutarch poetry prize quæ Ranæ representation Satyric says Schlegel Schol Scholiast Socrates Sophocles stage Suidas suppose Susarion Thespis Thespis's thing tion Tragedian Tragedy Tragic Poet verse words Αἰσχύλος ἀλλ ἀπὸ αὐτὸν γὰρ δὲ Διονύσια εἰ εἰς ἐκ ἐν ἐπὶ ἔτι ἔχει ἦν Θέσπις καὶ κατ μὲν μὴ οἱ ὅτι οὐ οὐκ οὖν πρὸς πρῶτος σοι τὰ τὰς τε καὶ τῇ τὴν τῆς τὸ τοῖς τὸν τοῦ τοὺς τραγῳδίας τῷ τῶν χορὸν ὡς ὥσπερ
Popular passages
Page 171 - Such diversities may be found even in dancing, flute-playing, and lyre-playing. So again in language, whether prose or verse unaccompanied by music. Homer, for example, makes men better than they are; Cleophon as they are; Hegemon the Thasian, the inventor of parodies, and Nicochares, the author of the Deiliad, worse than they are.
Page 174 - For Tragedy is an imitation, not of men, but of an action and of life, and life consists in action, and its end is a mode of action, not a quality. Now character determines men's qualities, but it is by their actions that they are happy or the reverse.
Page 176 - A whole is that which has a beginning, a middle, and an end. A beginning is that which does not itself follow anything by causal necessity, but after which something naturally is or comes to be. An end, on the contrary, is that which itself naturally follows some other thing, either by necessity or as a rule, but has nothing following it. A middle is that which follows something...
Page 183 - Impiger, iracundus, inexorabilis, acer, Jura neget sibi nata, nihil non arroget armis ; Sit Medea ferox invictaque, flebilis Ino, Perfidus Ixion, lo vaga, tristis Orestes.
Page 183 - But of all discoveries the best is that which arises from the action itself, and in which a striking effect is produced by probable incidents. Such is that in the Oedipus of Sophocles: and that in the Iphigenia; for nothing more natural than her desire of conveying the letter.
Page 183 - To execute through ignorance, and afterwards to discover, is better: for thus the shocking atrociousness is avoided, and, at the same time, the discovery is striking. But the best of all these ways is the last. Thus, in the tragedy of Cresphontes, Merope, in the very act of putting her son to death, discovers him, and is prevented.
Page 177 - As, therefore, in other mimetic arts, one imitation is an imitation of one thing, so here the fable, being an imitation of an action, should be an imitation of an action that is one and entire, the parts of it being so connected that if any one of them be either transposed or taken away, the whole will be destroyed or changed; for whatever may be either retained or omitted, without making any sensible difference, is not properly a part.
Page 183 - Iliad. Further: there is less unity in all epic imitation, as appears from this — that any epic poem will furnish matter for several tragedies. For, supposing the poet to choose a fable strictly one, the consequence must be either that his poem, if proportionably contracted, will appear curtailed and defective, or, if extended to the usual length, will become weak and, as it were, diluted. If, on the other hand, we suppose him to employ several fables — that is, a fable composed of several actions...
Page 183 - Among the many just claims of Homer to our praise, this is one — that he is the only poet who seems to have understood what part in his poem it was proper for him to take himself. The poet, in his own person, should speak as little as possible ; for he is not then the imitator.
Page 176 - ... many miles in length. As, therefore, in animals and other objects, a certain magnitude is requisite, but that magnitude must be such as to present a whole easily comprehended by the eye...