Roberto Rossellini's Rome Open City

Front Cover
Sidney Gottlieb, Horton Andrew
Cambridge University Press, Jun 14, 2004 - Performing Arts - 193 pages
Roberto Rossellini's Rome Open City instantly, markedly, and permanently changed the landscape of film history. Made at the end of World War II, it has been credited with initiating a revolution in and reinvention of modern cinema, bold claims that are substantiated when its impact on how films are conceptualized, made, structured, theorized, circulated, and viewed is examined. This 2004 volume offers a fresh look at the production history of Rome Open City; some of its key images, and particularly its representation of the city and various types of women; its cinematic influences and affinities; the complexity of its political dimensions, including the film's vision of political struggle and the political uses to which the film was put; and the legacy of the film in public consciousness. It serves as a well illustrated, up to date, and accessible introduction to one of the major achievements of filmmaking.
 

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Contents

Rossellini Open City and Neorealism
31
The Legacy
43
Celluloide and the Palimpsest of Cinematic
67
Femininity Masculinity
85
Space Rhetoric and the Divided City in Roma
106
Filmography
171
Select Bibliography
189
Copyright

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About the author (2004)

Sidney Gottlieb is Professor of English and Media Studies at Sacred Heart University in Fairfield, Connecticut. He has edited Hitchcock on Hitchcock: Selected Writings and Interviews and Framing Hitchcock: Essays from the Hitchcock Annual, and serves as Co-Editor of the Hitchcock Annual.

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