WozzeckIn 1972 Elias Canetti said: 'with Wozzeckm Buchner achieved the most complete revolution in the whole of literature'. The same can be said of Berg's opera, as revolutionary in the history of music in our century as in opera in particular. Mark DeVoto and Theo Hirsbrunner discuss why this infinitely complex and formal score perfectly suits the confused and disordered nature of the play. In his famous essay about the opera (written in 1968, but given here for the first time in English) Theador Adorno shows how what seems fragmentory in the text is actually complete, and how the music responds to the words; Kenneth Segar offers a new interpretation of the play in the light of the most recent Buchner research. Also for the first time, the complete edition of the play as Berg knew it is set out with a translation so that readers can see not only what he kept for his liberetto but also what he omitted. This unique source material is complemented by a series of critical reactions to the first London production in 1952 illustrating the controversy which has surrounded the opera since its 1925 Berlin premiere, and the extent to which our aesthetics have changed over the last forty years. |
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Page 8
... Büchner's play Woyzeck with Albert Steinrück in the title role . The author of Woyzeck , Georg Büchner , a native of Darmstadt , had been a medical student in Zurich before his death in 1837 at the age of twenty - three . He left to ...
... Büchner's play Woyzeck with Albert Steinrück in the title role . The author of Woyzeck , Georg Büchner , a native of Darmstadt , had been a medical student in Zurich before his death in 1837 at the age of twenty - three . He left to ...
Page 21
... Büchner's craft that he can reveal to us in the minutest components of his work that tragedy is not set apart from ... Büchner is a nihilist , who simply states that life is chaos and suffering , and that there is no positive value or ...
... Büchner's craft that he can reveal to us in the minutest components of his work that tragedy is not set apart from ... Büchner is a nihilist , who simply states that life is chaos and suffering , and that there is no positive value or ...
Page 46
... Büchner was neither mad nor morally depraved . Admittedly he had ' toadstool ' hallucinations as well as Freemasons on his mind ; but no one knew better than Büchner , as the son of a doctor and a medical student himself , that little ...
... Büchner was neither mad nor morally depraved . Admittedly he had ' toadstool ' hallucinations as well as Freemasons on his mind ; but no one knew better than Büchner , as the son of a doctor and a medical student himself , that little ...
Contents
an Interpretation Kenneth Segar | 15 |
On the Characteristics of Wozzeck Theodor W Adorno | 37 |
Thematic Guide | 53 |
Copyright | |
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Common terms and phrases
Act Three Alban Berg Andres Andrew Porter Angus McBean APPRENTICE Archiv Universal Edition Arnold Schönberg Augen barracks Blut Büchner Büchner's play Caspar Neher Change of scene characters child chord Christel Goltz composer Covent Garden dance donkey dramatic Drum Major einmal Erich Kleiber Esel Franz Frederick Dalberg geht gentlemen girls Gott guter Mensch hab's Halli Hallo hand heiss Herr Doctor Herr Hauptmann Herren heut Hopp human immortal jetzt Kerl Komm kommt läuft Leut libretto Mann Margret Marie's room Marko Rothmüller Menschen Metropolitan Opera murder muss Natur night Opus orchestra Otakar Kraus performance pissing première Ringel Scene Five Scene Four Scene Three schön Schönberg score sehen shaving the Captain singing Soldaten soldiers soll Sonne spoken stage steht symphony Teufel theme todt Tom Hammond tonal Translation by Andrew Unsterblich viel Vienna Wagner Walter Berry Weib Weibsbild Welt wieder Wozzeck zwei