Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 63Gale Research Company, 1984 |
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Page 258
... rhetoric and its contrast with our subtler assessments of character produce opposite ef- fects on us and on the plebeians ( though they have been , and remain , parodies of the theatre audience ) . The result is well described by ...
... rhetoric and its contrast with our subtler assessments of character produce opposite ef- fects on us and on the plebeians ( though they have been , and remain , parodies of the theatre audience ) . The result is well described by ...
Page 286
... rhetoric and moral intention in Shakespeare , see L. C. Knights , " Rhetoric and Insincerity , " Shakespeare's Styles : Es- says in Honour of Kenneth Muir , ed . Philip Edwards et al . ( Cambridge , U.K .: Cambridge Univ . Press , 1980 ) ...
... rhetoric and moral intention in Shakespeare , see L. C. Knights , " Rhetoric and Insincerity , " Shakespeare's Styles : Es- says in Honour of Kenneth Muir , ed . Philip Edwards et al . ( Cambridge , U.K .: Cambridge Univ . Press , 1980 ) ...
Page 329
... rhetoric and another to dismiss the Roman public because of its need to flatter and be flat- tered . Shakespeare understands that rhetoric is needed to make contact with that public - to educate it as well as to manipulate it . He knew ...
... rhetoric and another to dismiss the Roman public because of its need to flatter and be flat- tered . Shakespeare understands that rhetoric is needed to make contact with that public - to educate it as well as to manipulate it . He knew ...
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action actors All's Antony Antony's audience becomes bed-trick Bertram blood Brutus Brutus's Cade Cade's Cassius ceremony characters claim comedy comic conspirators Coriolanus Countess critics death desire Diana dramatic Duke Edward Elizabethan England English Epicurean essay father female feminine French gender Gentlemen of Verona Gloucester Helena Henry Henry VI Henry's heroic honor husband irony Jack Cade Joan Joan's Julia Julius Caesar King King's Lafew language Lavatch letter London lord male Mannerist Margaret marriage masculine means moral murder nature noble oath Parolles play play's plebeians plot Plutarch political Portia problem Problem Comedies Proteus Queen reading Renaissance rhetoric Richard Richard III ritual role Roman Rome says scene seems sexual Shake Shakespeare Silvia social soliloquy speak speare speare's speech spirit stage Suffolk suggests Talbot Tamburlaine theater theatrical thee thou Thurio tion tragedy unnatural Valentine virginity virtue Warwick wife woman women words York Yorkist