Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 63Gale Research Company, 1984 |
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Page 54
... death and dying that Marjorie Gar- ber suggests as a pervasive grounding for Shakespearean comedy . Soon , Helena will begin to question both Ber- tram's sexuality and her own ; but now , again in banter with the Countess , Lavatch ...
... death and dying that Marjorie Gar- ber suggests as a pervasive grounding for Shakespearean comedy . Soon , Helena will begin to question both Ber- tram's sexuality and her own ; but now , again in banter with the Countess , Lavatch ...
Page 90
... death that concludes all in tragedy is thus the death of any possibility that conflicts intrinsic to the human situation - conflicts most intimately experienced within the context of familial relationships - shall be resolved through ...
... death that concludes all in tragedy is thus the death of any possibility that conflicts intrinsic to the human situation - conflicts most intimately experienced within the context of familial relationships - shall be resolved through ...
Page 211
... death.30 ' O , that my death would stay these ruthful deeds ! ' ( II.v.95 ) , he exclaims . Unable to live a benign natural life in either court or country , apparently the two inclusive realms of mortal existence , Henry seeks relief ...
... death.30 ' O , that my death would stay these ruthful deeds ! ' ( II.v.95 ) , he exclaims . Unable to live a benign natural life in either court or country , apparently the two inclusive realms of mortal existence , Henry seeks relief ...
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action actors All's Antony Antony's audience becomes bed-trick Bertram blood Brutus Brutus's Cade Cade's Cassius ceremony characters claim comedy comic conspirators Coriolanus Countess critics death desire Diana dramatic Duke Edward Elizabethan England English Epicurean essay father female feminine French gender Gentlemen of Verona Gloucester Helena Henry Henry VI Henry's heroic honor husband irony Jack Cade Joan Joan's Julia Julius Caesar King King's Lafew language Lavatch letter London lord male Mannerist Margaret marriage masculine means moral murder nature noble oath Parolles play play's plebeians plot Plutarch political Portia problem Problem Comedies Proteus Queen reading Renaissance rhetoric Richard Richard III ritual role Roman Rome says scene seems sexual Shake Shakespeare Silvia social soliloquy speak speare speare's speech spirit stage Suffolk suggests Talbot Tamburlaine theater theatrical thee thou Thurio tion tragedy unnatural Valentine virginity virtue Warwick wife woman women words York Yorkist