This book is the first major publication devoted to the music of Jancek, now widely regarded as one of the most important composers of the early twentieth century. The essays, all by leading scholars, deal with a broad range of subjects relating to opera, symphonic poem, instrumental music, cultural context and reception. Some topics, such as the sources of Jancek's musical expressivity, questions of narrative, Jancek as musical analyst and Jancek as realist, are considered seriously for the first time, whilst other more conventional topics, such as 'speech melody' and Jancek's ethnographic activities, are reappraised. A transcription of Jancek's analytical study of 'Jeux de vagues' from Debussy's La mer is published for the first time, and this document is considered in the light of Jancek's theory of music as a whole and of the reception of La mer.
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Expressive sources and resources in Janáčeks musical language
Nothing but pranks and punsJanáčeks solo piano music
Narrative in Janáčeks symphonic poems hugh macdonald
Evasive realismnarrative construction in Dostoyevskys and Janáčeks From the House of the Dead
Direct discourse and speech melody in Janáčeks operas
Kunderas eternal present and Janáčeks ancient Gypsy
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acoustic scale Aﬀair analysis Australian Barraqué’s bars bass Blaník Brno Broucˇek Charles Mackerras chord Claude Debussy Coda column composer composer’s cor anglais Czech Dead Debussy Debussy’s deﬁned deﬁnition diatonic diﬀerent direct discourse Dostoyevsky’s dynamic paragraph edition eﬀect enharmonic Example ﬁddler Fiddler’s ﬁfth ﬁgure ﬁnal ﬁnd ﬁrst ﬁve folk-song Gypsy harmonic motives Hauk House Howat Hudební identiﬁes inﬂections inﬂuence Janácˇek Janácˇek,Makropulos,Act Janácˇek,the Vixen,Act Janácˇek’s music Janácˇek’s operas Janacek Jenu˚fa Jeux de vagues Jíra Kamila Stösslová Kát’a Leosˇ libretto lidové major Makropulos Marty Marty’s melodic minor third Moravian movement narrative nineteenth-century of‘Jeux ofthe orchestra passage pedal performance piano pitch plate number Prague premiere published quotation Quoted Racek reﬂect rhythm rhythmic Russian scˇasování Schoenberg’s score signiﬁcant sonata song speciﬁc speech melody stage structural suggests Sydney Opera House symphonic poems Taras Bulba technique tempo tetrachord textural theme theory tion tonal tone Trezise Trezise’s violins Vixen whole-tone work’s