В.М. Гаршин на рубеже веков : международный сборник в трех томахPeter Henry, Mikhail Moiseevich Girshman, Vladimir Porudominskiĭ |
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Page 105
... reader which , as in drama , have to speak on their own behalf [ my italics , N.N. ] . The narrator's voice , which holds sway in an epic narrative proper , is here removed or toned down , as it were ; the reader himself has to draw his ...
... reader which , as in drama , have to speak on their own behalf [ my italics , N.N. ] . The narrator's voice , which holds sway in an epic narrative proper , is here removed or toned down , as it were ; the reader himself has to draw his ...
Page 107
... reader ' or generalised reader becomes a participant . In " A Very Brief Romance " the narrator's sad story cannot be understood without taking into account the numerous addresses to the reader . In its generic form , the story comes ...
... reader ' or generalised reader becomes a participant . In " A Very Brief Romance " the narrator's sad story cannot be understood without taking into account the numerous addresses to the reader . In its generic form , the story comes ...
Page 108
... reader's eyes ' and coincides with the hero's experiences through the frequent use of the ' vivid ' present tense and an indeterminate and generalised syntax . It also contributes to the mood of confiding in the reader , of co ...
... reader's eyes ' and coincides with the hero's experiences through the frequent use of the ' vivid ' present tense and an indeterminate and generalised syntax . It also contributes to the mood of confiding in the reader , of co ...