Vsevolod Garshin at the Turn of the Century: An International Symposium in Three Volumes = V.M. Garshin Na Rubezhe Vekov: Mezhdunarodnyi Sbornik V Trekh TomakhNorthgate Press, Jan 1, 2000 - 800 pages |
From inside the book
Results 1-3 of 17
Page 129
The author clearly seeks to eliminate retrospection from the main storyline by
closing the temporal gap between histoire and discows. Furthermore, in a story
where the protagonist's life is in grave danger, present- tense DIM creates the
kind of ...
The author clearly seeks to eliminate retrospection from the main storyline by
closing the temporal gap between histoire and discows. Furthermore, in a story
where the protagonist's life is in grave danger, present- tense DIM creates the
kind of ...
Page 142
Rien ... un rien ... la chambre ... Lea ... Sapristi ... m'6tais-je endormi? ... ' (p. 94).
Schnitzler's protagonist, who has fallen asleep on a park bench, awakens even
more dramatically: Was ist denn? - He, Johann, bringen S'mir ein Glas frisches ...
Rien ... un rien ... la chambre ... Lea ... Sapristi ... m'6tais-je endormi? ... ' (p. 94).
Schnitzler's protagonist, who has fallen asleep on a park bench, awakens even
more dramatically: Was ist denn? - He, Johann, bringen S'mir ein Glas frisches ...
Page 198
Chekhov's "The Lady with the Dog" provides a classic instance of this, for the
nature of Gurov and Anna's affair remains to the very end tenuous, understood
least of all by the protagonists themselves. The dependence of plot on accident
or ...
Chekhov's "The Lady with the Dog" provides a classic instance of this, for the
nature of Gurov and Anna's affair remains to the very end tenuous, understood
least of all by the protagonists themselves. The dependence of plot on accident
or ...
What people are saying - Write a review
We haven't found any reviews in the usual places.
Contents
B nOPYZlOMHHCKMfi | 1 |
Introductory Note | 5 |
3ZlOPHKt 41 | 10 |
Copyright | |
55 other sections not shown
Other editions - View all
Common terms and phrases
3aBaacKHH 3aBaacKoro 3aecb 3aMy>KecTBe 3ToM 3Toro 3ToT 6bijia 6biTb 6bui 6buia 6buio 6ojiee aa>Ke aBTop Ahriman AKHMOB artistic Attalea princeps Avvakum B. M. TapuiHH BceBOjioa Bcero Bcex BeKa Bezant BMecTe BpeMeHH BpeMfl CBeT CbiH CblH CBoe CBoero CBoH cBOHM CBoHx CBOK ce6e Chekhov CTaTbH CTenaHOBHM discourse ecTb EKaTepHHa first-person narrative Four Days Garshin's story Gostiny Dvor Gurzuf H ero hero HHKOjiaeBHa HjiH HMeHHO Ilya Repin jieT KH3Hb KH3HH Koraa KOTopbie KOTopoM literary MejioBeKa Mepe3 MeTbipe MHpa Mithra Mithraism MO>KeT Mo>KHo MocKBa Moscow Nadezhda Nikolaevna narrative narrator neTep6ypre neTp neTpa nHcaTejifl nHcbMa nHceM noBecTH nocjie noKOjieHHe npoH3BeaeHHH npoTonona ABBaKyMa oMeHb paccKa3e paHra PoccHH Red Flower roaa Russian Russian literature Saint George St Petersburg TaK>Ke TapiiiHHa TapuiHHa TBopMecTBe TeKCTe TOjibKO Toro UBeTOK V.M. Garshin Vsevolod Garshin Vsevolod Mikhailovich Garshin writing y>Ke