В.М. Гаршин на рубеже веков : международный сборник в трех томахPeter Henry, Mikhail Moiseevich Girshman, Vladimir Porudominskiĭ |
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Page 102
... artistic observation ' ( Ovsianiko - Kulikovsky ) resulted in Garshin ' bringing too much subjective matter into each of his works , things that he had painfully experienced in his soul [ vystradannogo svoei dushoi ] and could be ...
... artistic observation ' ( Ovsianiko - Kulikovsky ) resulted in Garshin ' bringing too much subjective matter into each of his works , things that he had painfully experienced in his soul [ vystradannogo svoei dushoi ] and could be ...
Page 146
... artistic symbol . In this connection it is significant that in 1979 I.I. Moskovkina felt obliged to make the statement that ... his poetics are the least developed aspect of Garshin studies that are today an aggregate of unregulated and ...
... artistic symbol . In this connection it is significant that in 1979 I.I. Moskovkina felt obliged to make the statement that ... his poetics are the least developed aspect of Garshin studies that are today an aggregate of unregulated and ...
Page 147
... artistic method of Vsevolod Garshin . The author of " The Red Flower " repeatedly declared his readiness to ' smash his head ' ( ' rasshibit ́ lob ' ) in his search for innovatory principles for the assimilation of reality . Something ...
... artistic method of Vsevolod Garshin . The author of " The Red Flower " repeatedly declared his readiness to ' smash his head ' ( ' rasshibit ́ lob ' ) in his search for innovatory principles for the assimilation of reality . Something ...