Studies of Shakespeare in the Plays of King John, Cymbeline, Macbeth, As You Like It, Much Ado about Nothing, Romeo and Juliet: With Observations on the Criticism and the Acting of Those Plays |
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Page x
... Beatrice and Benedick at War 241 2. Benedick and Beatrice Converted 255 3. Benedick and Beatrice in Love and Matrimony 266 4. Acting of the Character of Beatrice 6 1. Introductory Observations 2. Romeo before his meeting with Juliet 3 ...
... Beatrice and Benedick at War 241 2. Benedick and Beatrice Converted 255 3. Benedick and Beatrice in Love and Matrimony 266 4. Acting of the Character of Beatrice 6 1. Introductory Observations 2. Romeo before his meeting with Juliet 3 ...
Page 233
... Beatrice : - " I come now , " she begins , " to Rosalind , whom I should have ranked before Beatrice , inasmuch as the greater degree of her sex's softness and sensibility , united with equal wit and intellect , give her the superiority ...
... Beatrice : - " I come now , " she begins , " to Rosalind , whom I should have ranked before Beatrice , inasmuch as the greater degree of her sex's softness and sensibility , united with equal wit and intellect , give her the superiority ...
Page 234
... Beatrice ; but to dance on the greensward , and murmur among living brooks a music sweeter than their own . ' Though sprightliness is the distinguishing characteristic of Rosalind , as of Beatrice , " & c . 6 She had already told us ...
... Beatrice ; but to dance on the greensward , and murmur among living brooks a music sweeter than their own . ' Though sprightliness is the distinguishing characteristic of Rosalind , as of Beatrice , " & c . 6 She had already told us ...
Page 241
... BEATRICE AND BENEDICK AT WAR . August 10th , 1844. ] AMONGST all the dramatic characters of Shakespeare , there are no two of which the developement is more closely intertwined than that of the personages most prominent in the drama now ...
... BEATRICE AND BENEDICK AT WAR . August 10th , 1844. ] AMONGST all the dramatic characters of Shakespeare , there are no two of which the developement is more closely intertwined than that of the personages most prominent in the drama now ...
Page 242
... Beatrice , the vanity in each being alike . Take away from the ' Much Ado About Nothing ' all that which is not indispensable to the plot , either as having little to do with it , or , at best , like Dogberry and his comrades , forced ...
... Beatrice , the vanity in each being alike . Take away from the ' Much Ado About Nothing ' all that which is not indispensable to the plot , either as having little to do with it , or , at best , like Dogberry and his comrades , forced ...
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Common terms and phrases
acting actress affection already ambition apprehension auditor Banquo Beat Beatrice beauty Benedick Benvolio breast breath character charm conception cousin critic Cymbeline death dignity doth dramatic dramatist Duncan Elinor exclamation expression exquisite eyes false father Faulconbridge fear feeling feminine genius gentle give grace Guiderius hand hath hear heart heaven Helen Faucit hero heroine heroine's histrionic honour husband Iachimo ideal imagination Imogen intellect Jameson Juliet king Lady Constance Lady Macbeth Leonatus less lips living look lord lover Macduff marriage matter Mercutio mind moral murder nature noble Nurse observe once Orlando passage passion peculiarly performance person piece Pisanio play poet poetical Posthumus present racter remorse Romeo Romeo and Juliet Rosalind scene seems selfish Shake Shakespeare Shakespearian shew Siddons Siddons's soul speak spirit stage sweet sympathy tell tender thane theatrical thee tion true Tybalt weird sisters wife woman words youth
Popular passages
Page 313 - Do not swear at all ; Or, if thou wilt, swear by thy gracious self, Which is the god of my idolatry, And I'll believe thee.
Page 114 - The Prince of Cumberland! that is a step On which I must fall down, or else o'erleap, For in my way it lies. Stars, hide your fires; Let not light see my black and deep desires: The eye wink at the hand; yet let that be Which the eye fears, when it is done, to see.
Page 336 - It was the lark, the herald of the morn; No nightingale. Look, love, what envious streaks Do lace the severing clouds in yonder east. Night's candles are burnt out, and jocund day Stands tiptoe on the misty mountain tops.
Page 362 - Ah, dear Juliet, Why art thou yet so fair? Shall I believe That unsubstantial death is amorous ; And that the lean abhorred monster keeps Thee here in dark to be his paramour?
Page 145 - Are ye fantastical, or that indeed Which outwardly ye show? My noble partner You greet with present grace, and great prediction Of noble having, and of royal hope, That he seems rapt withal; to me you speak not: If you can look into the seeds of time, And say, which grain will grow, and which will not, Speak then to me, who neither beg, nor fear, Your favours, nor your hate.
Page 112 - Cannot be ill ; cannot be good : — if ill, Why hath it given me earnest of success, Commencing in a truth ? I am thane of Cawdor : If good, why do I yield to that suggestion Whose horrid image doth unfix my hair. And make my seated heart knock at my ribs, Against the use of nature...
Page 19 - And, father cardinal, I have heard you say That we shall see and know our friends in heaven: If that be true, I shall see my boy again; For since the birth of Cain, the first male child, To him that did but yesterday suspire, There was not such a gracious creature born.
Page 125 - Methought I heard a voice cry "Sleep no more! Macbeth does murder sleep," the innocent sleep, Sleep that knits up the ravell'd sleave of care, The death of each day's life, sore labour's bath, Balm of hurt minds, great nature's second course, Chief nourisher in life's feast, — Lady M.
Page 310 - What's Montague? it is nor hand, nor foot, Nor arm, nor face, nor any other part Belonging to a man. O, be some other name! What's in a name? that which we call a rose By any other name would smell as sweet; So Romeo would, were he not Romeo call'd, Retain that dear perfection which he owes Without that title. Romeo, doff thy name, And for that name which is no part of thee Take all myself.
Page 310 - O Romeo, Romeo! wherefore art thou Romeo? Deny thy father and refuse thy name! Or, if thou wilt not, be but sworn my love, And I'll no longer be a Capulet.