Performed Literature: Words and Music by Bob DylanBob Dylan is not a poet. He is a singer-songwriter, a performing artist. The unit of his art, as collected and documented by his intended audience, is the live performance. Right now, no existing technological tool can give researchers ready access to his entire corpus of work. Revised from the author's Ph.D. dissertation (UC Berkeley, 1978) and again from its first edition (Indiana UP, 1982), Performed Literature develops a methodology for close analysis of verbal art that is heard, not seen, using as comparative examples 24 performances of 11 songs by Bob Dylan. The second edition adds a preface, two major appendices and one minor one, and a detailed index. |
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Page 140
... sweet lady idealizes him ; in past tense , it shows her inability to understand how little he likes being where it's at . The slow " Sweet lady " and then a rich organ chord signal the start of the first refrain . Careful listening ...
... sweet lady idealizes him ; in past tense , it shows her inability to understand how little he likes being where it's at . The slow " Sweet lady " and then a rich organ chord signal the start of the first refrain . Careful listening ...
Page 144
... sweet lady back to life , in the secure home that billowing curtains suggest . In this refrain Dylan exaggerates the drawn - out , sneering pronunciation of ihyidiot and the four - syllable , four- pitch " teeth . " His vocal bitterness ...
... sweet lady back to life , in the secure home that billowing curtains suggest . In this refrain Dylan exaggerates the drawn - out , sneering pronunciation of ihyidiot and the four - syllable , four- pitch " teeth . " His vocal bitterness ...
Page 147
... sweet lady . In the closing refrain , the change in personal pronoun shows the narrator's new awareness of reciprocal feelings and shared blame . In the first two refrains " you " were wrong , in the third " I " was confused , and here ...
... sweet lady . In the closing refrain , the change in personal pronoun shows the narrator's new awareness of reciprocal feelings and shared blame . In the first two refrains " you " were wrong , in the third " I " was confused , and here ...
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Common terms and phrases
ABCB aesthetic ain't album artistic audience aural Babe Baby Ballad bass Beatles becomes Blonde on Blonde Bob Dylan chord change concert version couplet culture drums Dylan's songs Dylan's voice effect electric guitar emotional feel female Ferry's four fourth stanza Freewheelin Hard Rain harmonica Highway 61 Highway 61 Revisited Idiot Wind Idiot wind Blowing imagery imitate instrumental break Isis Joan Baez John Wesley Harding listener listener's melody meter Miss Lonely musical beat musicians narrative narrator narrator's oral organ chords outtake Oxford Town patterns performance phrase piano pitch plays poetic recorded refrain released rhyme word riff rock Rolling Stone Sad-Eyed Lady scene second stanza sexual Shelter shift singers sings someone song's sound stanza studio version Subterranean Homesick Blues suggests sung lines sweet lady syllables tambourine tape textual third stanza throughout the song Univ unresolved verse vowel woman Woody Woody Guthrie words and music York