Performed Literature: Words and Music by Bob DylanBob Dylan is not a poet. He is a singer-songwriter, a performing artist. The unit of his art, as collected and documented by his intended audience, is the live performance. Right now, no existing technological tool can give researchers ready access to his entire corpus of work. Revised from the author's Ph.D. dissertation (UC Berkeley, 1978) and again from its first edition (Indiana UP, 1982), Performed Literature develops a methodology for close analysis of verbal art that is heard, not seen, using as comparative examples 24 performances of 11 songs by Bob Dylan. The second edition adds a preface, two major appendices and one minor one, and a detailed index. |
From inside the book
Results 1-3 of 52
Page 60
For “ Just Like a Woman , " such a spectrum would stretch from the discursive
sense of the lyrics , at the far “ words ” end , to the instruments that mark rhythm -
one guitar in 1974 , and the band with regular drums , piano , and guitars in 1966
...
For “ Just Like a Woman , " such a spectrum would stretch from the discursive
sense of the lyrics , at the far “ words ” end , to the instruments that mark rhythm -
one guitar in 1974 , and the band with regular drums , piano , and guitars in 1966
...
Page 88
These elements of performance reinforce the sense of the last stanza . The long
couplets again describe Miss Lonely ' s fairytale life , but in a scene where she
has more company than the one treacherous male who had appeared previously
.
These elements of performance reinforce the sense of the last stanza . The long
couplets again describe Miss Lonely ' s fairytale life , but in a scene where she
has more company than the one treacherous male who had appeared previously
.
Page 128
At the far “ words ” end is the sense of the lyrics , spat out in barely coherent
bursts of paranoia and futility : sense of words sound of words ( esp . rhyme )
vocal effects ( esp . voice - forced rhyme ) harmonica and electric guitar rhythm ...
At the far “ words ” end is the sense of the lyrics , spat out in barely coherent
bursts of paranoia and futility : sense of words sound of words ( esp . rhyme )
vocal effects ( esp . voice - forced rhyme ) harmonica and electric guitar rhythm ...
What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
Common terms and phrases
aesthetic ain't album alliteration appear artistic audience Babe Baby beat becomes begins Blues Bob Dylan breaks chords closing comes concert continues contrast couplet create culture drums Dylan's voice effect emotional example express eyes fall feel female final follow four fourth give guitar hard harmonica Idiot Wind imagery instrumental Isis it's Italy John lady lead leave less listener live Lonely looking mark meaning measures Miss move narrator narrator's never notes once opening oppositions organ outtake patterns performance phrase pitch plays poetic rain recorded refer refrain released response rhyme rock Rolling Stone sad-eyed scene seems sense shift Side sings someone song song's sound stands stanza structure studio suggests sung tell third throughout tradition verse vocal voice Warner Bros woman words York
Bibliographic information
| Title | Performed Literature: Words and Music by Bob Dylan |
| Authors | Betsy Bowden, Bob Dylan |
| Edition | 2, illustrated |
| Publisher | University Press of America, 2001 |
| Original from | the University of California |
| Digitized | 28 May 2010 |
| ISBN | 0761819479, 9780761819479 |
| Length | 263 pages |
| Subjects | › › Literary Criticism / General Music / Instruction & Study / Songwriting |
| Export Citation | BiBTeX EndNote RefMan |