Performed Literature: Words and Music by Bob DylanBob Dylan is not a poet. He is a singer-songwriter, a performing artist. The unit of his art, as collected and documented by his intended audience, is the live performance. Right now, no existing technological tool can give researchers ready access to his entire corpus of work. Revised from the author's Ph.D. dissertation (UC Berkeley, 1978) and again from its first edition (Indiana UP, 1982), Performed Literature develops a methodology for close analysis of verbal art that is heard, not seen, using as comparative examples 24 performances of 11 songs by Bob Dylan. The second edition adds a preface, two major appendices and one minor one, and a detailed index. |
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Page vi
... recorded utterance took place . Compilers also document early performances that , to their frustration , disappeared into thin air never to be heard again . What has impelled the gathering of so much information ? At first , like any ...
... recorded utterance took place . Compilers also document early performances that , to their frustration , disappeared into thin air never to be heard again . What has impelled the gathering of so much information ? At first , like any ...
Page viii
... recordings , interviews , phone messages , and performances on radio , on film , on television , perhaps on media not ... recorded , How does it feel ? How does it say what we know that it says ? How does a song mean in our ears , not in ...
... recordings , interviews , phone messages , and performances on radio , on film , on television , perhaps on media not ... recorded , How does it feel ? How does it say what we know that it says ? How does a song mean in our ears , not in ...
Page 72
... recorded data available for Dylan - more than for anyone else , perhaps , except for the Grateful Dead , some of whose fans would tape the whole of every concert - is plenty of material that can contribute toward these more recent ...
... recorded data available for Dylan - more than for anyone else , perhaps , except for the Grateful Dead , some of whose fans would tape the whole of every concert - is plenty of material that can contribute toward these more recent ...
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ABCB aesthetic ain't album artistic audience aural Babe Baby Ballad bass Beatles becomes Blonde on Blonde Bob Dylan chord change concert version couplet culture drums Dylan's songs Dylan's voice effect electric guitar emotional feel female Ferry's four fourth stanza Freewheelin Hard Rain harmonica Highway 61 Highway 61 Revisited Idiot Wind Idiot wind Blowing imagery imitate instrumental break Isis Joan Baez John Wesley Harding listener listener's melody meter Miss Lonely musical beat musicians narrative narrator narrator's oral organ chords outtake Oxford Town patterns performance phrase piano pitch plays poetic recorded refrain released rhyme word riff rock Rolling Stone Sad-Eyed Lady scene second stanza sexual Shelter shift singers sings someone song's sound stanza studio version Subterranean Homesick Blues suggests sung lines sweet lady syllables tambourine tape textual third stanza throughout the song Univ unresolved verse vowel woman Woody Woody Guthrie words and music York