The Sierra Club Nature Writing Handbook: A Creative GuideThis newest volume in the Sierra Club's acclaimed The series includes autobiographical writings, essays, short stories, and poetry that communicate a passion for nature which enhances our appreciation of a wide range of landscapes and wildlife. Diverse in mood and setting, the nineteen selections, including seven in print for the first time, represent the best of the genre. Readers will delight in Chip Rawlins's memoir of life in the Wind River Mountains of Wyoming, Dan O'Brien's tale of falconry on the Great Plains, David Rains Wallace's exploration of the Darien, Barry Lopez's essay on the coral reefs of the Caribbean island of Bonaire, and Marybeth Holleman's evocative essay on St. Lawrence Island in the Bering Sea. Other contributors are Rick Bass, SueEllen Campbell, Lisa Couturier, John Daniel, Jan Grover, Penny Harter, Adele Ne Jame, Homer Kizer, W. S. Merwin, David Petersen, April N. Rieveschl, Alianor True, Louise Wagenknecht, and Terry Tempest Williams. |
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Page 63
... scene ( either static , like a snowbound winter valley , or dynamic , like a volcanic eruption ) , ( 2 ) they de ... scene singular . At the same time look for images that will make the scene familiar to your readers , both in the pres ...
... scene ( either static , like a snowbound winter valley , or dynamic , like a volcanic eruption ) , ( 2 ) they de ... scene singular . At the same time look for images that will make the scene familiar to your readers , both in the pres ...
Page 64
... scene on a piece of paper before beginning the process of com- mitting it to paper with words . Other times it can be beneficial to close your eyes and try to describe the scene to yourself from memory , again before beginning the ...
... scene on a piece of paper before beginning the process of com- mitting it to paper with words . Other times it can be beneficial to close your eyes and try to describe the scene to yourself from memory , again before beginning the ...
Page 69
... scene , a streamside or a forest clear- ing or a mountaintop , and sit there for as long as it takes for you to absorb its general shape and salient details . When you have studied the scene long enough to close your eyes and describe ...
... scene , a streamside or a forest clear- ing or a mountaintop , and sit there for as long as it takes for you to absorb its general shape and salient details . When you have studied the scene long enough to close your eyes and describe ...
Contents
The Journal | 1 |
The Essay 12 2 43 | 12 |
The Writing Process | 24 |
Copyright | |
18 other sections not shown
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Abbey's Alaska animal Barry Lopez begin canyon chapter character closing paragraph Colorado Conference create Creative Writing Program death Deer Pasture Department of English Desert Solitaire dialogue drafts editor Edward Abbey effect Emerson example experience fiction figurative language forest Gretel Ehrlich grizzly bear Hemingway Henry David Thoreau human important interviewed John McPhee journals Lake learned lines literary literature live look lyric Maclean Mark Twain metaphors and similes middle style mountain narrative National Park natural history nature essay nature writers nonfiction novel opening paragraph paradigm person Peter Matthiessen poem poet poetry Press prose published reader revision Rick Bass River scene sentence Shakespeare SIERRA CLUB Snow Leopard sort Stegner story summer Terry Tempest Terry Tempest Williams theme things tion trees ture Walden walking wild wilderness Wildlife William word picture workshop writing process Writing Program Department wrote York