The Sierra Club Nature Writing Handbook: A Creative GuideThis newest volume in the Sierra Club's acclaimed The series includes autobiographical writings, essays, short stories, and poetry that communicate a passion for nature which enhances our appreciation of a wide range of landscapes and wildlife. Diverse in mood and setting, the nineteen selections, including seven in print for the first time, represent the best of the genre. Readers will delight in Chip Rawlins's memoir of life in the Wind River Mountains of Wyoming, Dan O'Brien's tale of falconry on the Great Plains, David Rains Wallace's exploration of the Darien, Barry Lopez's essay on the coral reefs of the Caribbean island of Bonaire, and Marybeth Holleman's evocative essay on St. Lawrence Island in the Bering Sea. Other contributors are Rick Bass, SueEllen Campbell, Lisa Couturier, John Daniel, Jan Grover, Penny Harter, Adele Ne Jame, Homer Kizer, W. S. Merwin, David Petersen, April N. Rieveschl, Alianor True, Louise Wagenknecht, and Terry Tempest Williams. |
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Page 87
... dialogue are so interrelated as to be synony- mous . Dialogue is one of the two major means by which character is revealed , in literature as well as in life . The other is action . Both involve decisions . In the case of dialogue ...
... dialogue are so interrelated as to be synony- mous . Dialogue is one of the two major means by which character is revealed , in literature as well as in life . The other is action . Both involve decisions . In the case of dialogue ...
Page 89
... dialogue between " Scotty " Briggs and the clergyman from “ an Eastern theological seminary " forms the centerpiece ... dialogue sprinkled here and there like flowers on a grave . Sir Denys arrives back from safari and asks , " Have you ...
... dialogue between " Scotty " Briggs and the clergyman from “ an Eastern theological seminary " forms the centerpiece ... dialogue sprinkled here and there like flowers on a grave . Sir Denys arrives back from safari and asks , " Have you ...
Page 94
A Creative Guide John A. Murray. Character and Dialogue 1. Use a tape recorder to record a conversation . Afterward , tran- scribe the dialogue . What sorts of idioms ( colloquial expres- sions ) are in evidence ? Are there any patterns ...
A Creative Guide John A. Murray. Character and Dialogue 1. Use a tape recorder to record a conversation . Afterward , tran- scribe the dialogue . What sorts of idioms ( colloquial expres- sions ) are in evidence ? Are there any patterns ...
Contents
The Journal | 1 |
The Essay 12 2 43 | 12 |
The Writing Process | 24 |
Copyright | |
18 other sections not shown
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Abbey's Alaska animal Barry Lopez begin canyon chapter character closing paragraph Colorado Conference create Creative Writing Program death Deer Pasture Department of English Desert Solitaire dialogue drafts editor Edward Abbey effect Emerson example experience fiction figurative language forest Gretel Ehrlich grizzly bear Hemingway Henry David Thoreau human important interviewed John McPhee journals Lake learned lines literary literature live look lyric Maclean Mark Twain metaphors and similes middle style mountain narrative National Park natural history nature essay nature writers nonfiction novel opening paragraph paradigm person Peter Matthiessen poem poet poetry Press prose published reader revision Rick Bass River scene sentence Shakespeare SIERRA CLUB Snow Leopard sort Stegner story summer Terry Tempest Terry Tempest Williams theme things tion trees ture Walden walking wild wilderness Wildlife William word picture workshop writing process Writing Program Department wrote York