Theodicy in Baroque LiteratureThe Circe legend and concept of evil in Tasso, Milton and Calderón. |
Contents
TASSO | 15 |
Docere delectando | 18 |
Volto ascoso al volto | 19 |
Copyright | |
34 other sections not shown
Common terms and phrases
allegorical ambiguous Amor antithetical Argante Armida aspect Astolfo Augustinian baroque baroque literature Basilio battle beneficent evil bien Calderón Calderón's autos Canto central characters Chorus Christian and pagan Circe Circe myth Clarín Clorinda Clotaldo conflict confused criticism Cupid Dagon Dalila Dámaso Alonso death describes dichotomy discuss disguise disimular drama Echo Eco y Narciso elements embrace enchanted forest encounter engaño and desengaño Epimetheus episode Erminia essay estatua de Prometeo Estrella fall fate fingir Flerida Gerusalemme liberata Goffredo Harapha hero hidden identified identity Irenaean Israelites Lisidas lover and enemy major theme Manoa mayor encanto metamorphoses metaphysical Minerva monadic symbols mutability Narcissus Narcissus myth opposite Pandora paradoxical parallel patterns Philistines play present prison Prometeo Prometheus Psyche pues references reflection renaissance resolution revealed Rinaldo role Rosaura Samson Agonistes Samson's final scene seems Segismundo sense Sofronia sol punto specifically symbol Tancredi thematic theodicy thir tion Ulysses verse vida es sueño