Julius CaesarIn this striking tragedy of political conflict, Shakespeare turns to the ancient Roman world and to the famous assassination of Julius Caesar by his republican opponents. The play is one of tumultuous rivalry, of prophetic warnings–“Beware the ides of March”–and of moving public oratory, “Friends, Romans, countrymen!” Ironies abound and most of all for Brutus, whose fate it is to learn that his idealistic motives for joining the conspiracy against a would-be dictator are not enough to sustain the movement once Caesar is dead. Each Edition Includes: • Comprehensive explanatory notes • Vivid introductions and the most up-to-date scholarship • Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English • Completely updated, detailed bibliographies and performance histories • An interpretive essay on film adaptations of the play, along with an extensive filmography |
From inside the book
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... in the Theater: Jonathan Bate Commentary: Erin Sullivan and Héloïse Sénéchal Scene-by-Scene Analysis: Esme Miskimmin In Performance: Karin Brown (RSCstagings) and Peter Kirwan(overview) The Director's Cut (interviews byJonathanBate ...
... in the Theater: Jonathan Bate Commentary: Erin Sullivan and Héloïse Sénéchal Scene-by-Scene Analysis: Esme Miskimmin In Performance: Karin Brown (RSCstagings) and Peter Kirwan(overview) The Director's Cut (interviews byJonathanBate ...
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... by The Royal Shakespeare Company Allrights reserved. Published in the United States by Modern Library, an imprint of The Random House Publishing Group, a divisionof Random House, Inc., New York. M ODERN L IBRARY and the T ORCHBEARER ...
... by The Royal Shakespeare Company Allrights reserved. Published in the United States by Modern Library, an imprint of The Random House Publishing Group, a divisionof Random House, Inc., New York. M ODERN L IBRARY and the T ORCHBEARER ...
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... in the reading of histories as you have principallyto markhow matters have passedin government in those days, so have you to ... to Orson Welles's influential 1930s production of the Introduction Elizabethan Politics and the Roman Example.
... in the reading of histories as you have principallyto markhow matters have passedin government in those days, so have you to ... to Orson Welles's influential 1930s production of the Introduction Elizabethan Politics and the Roman Example.
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... in soliloquy,“Willbear no colour forthe thing heis.” He only persuades himself to join the conspirators by “fashioning” theargument thatthe act of crowning ... of checks and balances between the two houses of parliament and the monarchy—a.
... in soliloquy,“Willbear no colour forthe thing heis.” He only persuades himself to join the conspirators by “fashioning” theargument thatthe act of crowning ... of checks and balances between the two houses of parliament and the monarchy—a.
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William Shakespeare Jonathan Bate, Eric Rasmussen. balances between the two houses of parliament and the monarchy—a system based on the Roman model of senators, tribunes, and emperor, but with a more flexible legal system, based oncommon ...
William Shakespeare Jonathan Bate, Eric Rasmussen. balances between the two houses of parliament and the monarchy—a system based on the Roman model of senators, tribunes, and emperor, but with a more flexible legal system, based oncommon ...
Contents
The TragedyofJulius Caesar The List of Parts | |
Scene 5 | |
Farr and Lucy Bailey Shakespeares Careerin the Theater | |
A Chronology | |
Acknowledgments and Picture Credits | |
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Common terms and phrases
Act 5 Scene actors Alarum andthe Antony’s ARTEMIDORUS assassination atthe audience battle bear blood Brutus and Cassius Caesar’s body Caius Calpurnia Capitol Casca Cassius Cato Cicero Cimber Cinna CLITUS conspirators crowd crown dangerous death Decius doth Elizabethan Exeunt Act Exit Farr fear Flavius Folio FOURTH PLEBEIAN fromthe Ghost give gods hand hath hear heart honourable inhis inthe Jonathan Bate Julius Caesar kill king Lepidus Ligarius look lord Lucilius Lucius Mark Antony Messala Metellus mighty modern Murellus noble Octavius ofthe omens performance Philippi Pindarus play Poet political Pompey Pompey’s Portia production Roman Rome Royal Shakespeare Company running scene SECOND PLEBEIAN senate SERVANT Shakespeare SOLDIER SOOTHSAYER speak speech spirit stage stand Stratford-upon-Avon Strato sword tell thatthe theater theaudience thee theplay there’s THIRD PLEBEIAN thou Titinius tobe tothe Tragedy Trebonius Varrus Volumnius Winter’s Winter’s Tale withthe words